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Mr. Scorpio
Mr. Scorpio's Journal
Mr. Scorpio's Journal
December 28, 2013
The Greatest New Year's Kickoff Ever!
December 28, 2013
North America is going places
December 28, 2013
The first thing I'd do is wonder where the stairs came from, I live in a single-story home...
December 27, 2013
A brief history of The History Channel
December 25, 2013
For future reference: My nicknames for fast food joints.
McDonalds - Mickey Death
Burger King - The Burger Despot
Wendy's - The Red Headed Step-child
KFC - The Chicken Plantation
Taco Bell - The Mexican Potemkin Village
Feel free to add your own
December 25, 2013
Yusef Lateef, a jazz saxophonist and flutist who spent his career crossing musical boundaries, died on Monday at his home in Shutesbury, Mass., near Amherst. He was 93.
His death was announced on his website.
Mr. Lateef started out as a tenor saxophonist with a big tone and a bluesy style, not significantly more or less talented than numerous other saxophonists in the crowded jazz scene of the 1940s. He served a conventional jazz apprenticeship, working in the bands of Lucky Millinder, Dizzy Gillespie and others. But by the time he made his first records as a leader, in 1957, he had begun establishing a reputation as a decidedly unconventional musician.
He began expanding his instrumental palette by doubling on flute, by no means a common jazz instrument in those years. He later added oboe, bassoon and non-Western wind instruments like the shehnai and arghul. My attempts to experiment with new instruments grew out of the monotony of hearing the same old sounds played by the same old horns, he once told DownBeat magazine. When I looked into those other cultures, I found that good instruments existed there.
Those experiments led to an embrace of new influences. At a time when jazz musicians in the United States rarely sought inspiration any farther geographically than Latin America, Mr. Lateef looked well beyond the Western Hemisphere. Anticipating the cross-cultural fusions of later decades, he flavored his music with scales, drones and percussion effects borrowed from Asia and the Middle East. He played world music before world music had a name.
http://www.nytimes.com/2013/12/25/arts/music/yusef-lateef-innovative-jazz-saxophonist-and-flutist-dies-at-93.html?_r=0
Yusef Lateef, Innovative Jazz Saxophonist and Flutist, Dies at 93
Yusef Lateef, a jazz saxophonist and flutist who spent his career crossing musical boundaries, died on Monday at his home in Shutesbury, Mass., near Amherst. He was 93.
His death was announced on his website.
Mr. Lateef started out as a tenor saxophonist with a big tone and a bluesy style, not significantly more or less talented than numerous other saxophonists in the crowded jazz scene of the 1940s. He served a conventional jazz apprenticeship, working in the bands of Lucky Millinder, Dizzy Gillespie and others. But by the time he made his first records as a leader, in 1957, he had begun establishing a reputation as a decidedly unconventional musician.
He began expanding his instrumental palette by doubling on flute, by no means a common jazz instrument in those years. He later added oboe, bassoon and non-Western wind instruments like the shehnai and arghul. My attempts to experiment with new instruments grew out of the monotony of hearing the same old sounds played by the same old horns, he once told DownBeat magazine. When I looked into those other cultures, I found that good instruments existed there.
Those experiments led to an embrace of new influences. At a time when jazz musicians in the United States rarely sought inspiration any farther geographically than Latin America, Mr. Lateef looked well beyond the Western Hemisphere. Anticipating the cross-cultural fusions of later decades, he flavored his music with scales, drones and percussion effects borrowed from Asia and the Middle East. He played world music before world music had a name.
http://www.nytimes.com/2013/12/25/arts/music/yusef-lateef-innovative-jazz-saxophonist-and-flutist-dies-at-93.html?_r=0
December 25, 2013
Name a movie that makes you laugh, no matter what...
Austin Powers - International Man of Mystery is one of my faves!
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