America’s leading public health expert Anthony Fauci has confirmed what the record figures are telling us – the US is sliding backwards on its handling of the coronavirus pandemic.

“We are going in the wrong direction,” Fauci just told the Senate.

Last week the US saw a new daily record of 40,000 new coronavirus cases in one day.

Fauci just said, in testimony before committee, that he fears that the rate will rise dramatically.

“I would not be surprised if we go up to 100,000 a day if this does not turn around.”

Fauci added about death and infection rates going forward: It’s going to be very disturbing … it could get really bad.”

https://www.theguardian.com/us-news/live/2020/jun/30/russian-bounty-payments-donald-trump-briefing-afghanistan-live-updates?CMP=Share_iOSApp_Other

ST. LOUIS — A man and a woman pointed guns at protesters who marched through the Central West End Sunday night to call for Mayor Lyda Krewson to resign.

Videos from the protest showed the man pointing a semi-automatic rifle and a woman pointing a pistol at the crowd marching down the street. The videos circulated widely on social media Sunday night.

The protest, which was organized by Expect Us, started near the intersection of Maryland Plaza and North Euclid Avenue, and stopped at Krewson's home before heading toward the Delmar Loop.

The protest came two days after a Facebook Live news briefing in which Krewson read the names and street addresses of protesters who are calling on the city to defund the police department, a move which the ACLU called "shocking and misguided" and resulted in online backlash. An online petition started over the weekend calling for her to resign has more than 40,000 signatures.

https://twitter.com/xshularx/status/1277398234055483393
https://www.ksdk.com/article/news/local/couple-points-guns-at-protesters-st-louis/63-915a4a2f-071f-4f01-b5b8-398790d615ca

New York held its primary elections this week. Even before the absentee ballots are counted and the results certified, we know one thing about the political landscape. It is fundamentally changing in the state as a new generation uproots the establishment. It is a realignment based on demography, diversity, and disposition.

... First, demography. The older generation of Members of Congress has, well, gotten older. The networks of support that elected and reelected them are being replenished by new, younger networks. I saw it for myself, when I ran my final campaign for Congress in 2014, and realized that my own electorate was aging out and the growth was among young voters who were newborns in my first election and, as voters, had little idea who I was.

Second, diversity. Safe blue seats remain blue, but the voters are of richer and more diverse colors. New York’s African Americans population increased 5.9 percent between 2000 and 2019; the Hispanic or Latinopopulation increased 30.3 percent in the same period.

Third, disposition. Congressional seniority yields to political intensity. The old rules - wait your turn, pay your dues - are rightfully cast aside by a resistance to Donald Trump that does not believe we can afford to wait. Once upon a time, newly elected Members of Congress were keen on “going along to get along.” On Tuesday night, Bowman told his supporters that he couldn’t wait to get to Congress to “cause problems.”

There are mitigating circumstances worth noting...Jerry Nadler convincingly beat back his opponents. I have written before that Nadler is an underestimated street fighter. He never left the streets of his district, providing constituent services and attending local events even as he led the impeachment of President Trump. There is a lesson in that for incumbents worried about future primaries.

https://thehill.com/opinion/campaign/504528-new-york-primary-elections-signify-next-generation-of-political-leaders

Albert Memmi, a leading mid-20th century French intellectual and writer best known for nonfiction books and novels that unraveled his anomalous identity as an ardent anti-imperialist, an unapologetic Zionist and a self-described “Jewish Arab,” died on May 22 in Neuilly-sur-Seine, near Paris. He was 99.

His death was announced by Olivier Poivre d’Arvor, the French ambassador to Tunisia, where Mr. Memmi was born and raised when it was a French protectorate. Although he was overshadowed by Albert Camus and Jean-Paul Sartre (both of whom wrote introductions to his books), Mr. Memmi was celebrated in Europe and Africa as an author and sociologist.

Among his best-known books, some of which were later translated into English, were “The Pillar of Salt” (1953) and “Strangers” (1955), both autobiographical novels; “The Scorpion” (1969), another fictionalized account of a mixed marriage, like his own; and the nonfiction “The Colonizer and the Colonized” (1957), which he followed a half-century later with a somewhat disillusioned verdict on the fruits of national liberation in “Decolonization and the Decolonized” (2006).

...In The Jewish Review of Books, Daniel Gordon wrote in 2018 that Mr. Memmi “has combined, perhaps more than any other writer since World War II, the compassion needed to articulate the suffering of oppressed groups with the forthrightness needed to censure them for their own acts of oppression.”

Mr. Memmi said of his writings: “All of my work has been in sum an inventory of my attachments; all of my work has been, it should be understood, a constant revolt against my attachments.”

“I was a sort of half-breed of colonization,” he once said, “understanding everyone because I belonged completely to no one.”

https://www.nytimes.com/2020/06/10/books/albert-memmi-a-jewish-arab-intellectual-dies-at-99.html

WASHINGTON (AP) — Wes Unseld, the workmanlike Hall of Fame center who led Washington to its only NBA championship and was chosen one of the 50 greatest players in league history, died Tuesday after a series of health issues, most recently pneumonia. He was 74.

Unseld’s family announced his death via a statement released by the Washington Wizards, the franchise he played for throughout his entire 13-season career.

A five-time All-Star and, along with Wilt Chamberlain, one of only two players to win NBA Rookie of the Year and MVP honors in the same season, Unseld instantly made the team then known as the Baltimore Bullets into a winning franchise after it selected him No. 2 overall in the 1968 draft.

A decade later, he was the MVP of the NBA Finals as the Washington Bullets beat the Seattle SuperSonics in a seven-game series best known for coach Dick Motta’s proclamation: “The opera ain’t over until the fat lady sings.”

Listed at 6-foot-7 and 245 pounds, Unseld overcame taller players and bad knees with a strong work ethic and lots of grunt work in the paint. He was a tenacious rebounder and strong passer.

Unseld was inducted into the Hall of Fame in 1988, his first year of eligibility.

“I never played pretty,” Unseld said on the day he was elected. “I wasn’t flashy. My contributions were in the things most people don’t notice. They weren’t in high scoring or dunking or behind-the-back passes.”

https://apnews.com/b519bbf1d7ffecf360372f4ca69c1b2a