A Journey Shaped by a Guitar

[WilliamPitt]

A Journey Shaped by a Guitar
By PETER GERSTENZANG
Published: February 22, 2008

EVEN though Nazareth, Pa., isn’t quite the holy city its namesake is, pilgrims with a musical bent still go there every weekday in search of a potentially spiritual experience. They head to a quaint brick building, lured by the promise of taking a tour at the C. F. Martin & Company guitar factory.

More than 200 guitars are made at Martin each day, many more than when the company first opened in New York City in 1833 (it moved to Nazareth in 1839). But for any guitar player or music lover, getting to see the basic stages in the creation of a Martin moves them powerfully, putting some in touch with emotions they might have thought too inaccessible to be reached.

Martins are arguably the most coveted acoustic guitar on earth — satisfied customers include Bob Dylan, Neil Young and Freedy Johnston — and wherever pickers and grinners gather to resurrect time-honored chestnuts, from “Helpless” to “Sugarfoot Rag,” there’s a good chance that there will be a Martin chiming in. A trip to the factory could almost be considered a journey to the Lourdes of twang.

Given Martin’s humble origins, today’s factory is surprisingly large and modern, built in 1964. The barn-red Martin building replicates the facade of the first Nazareth factory, but from the outside it looks to be playing host-victim to an industrial plant large enough to churn out cars and trucks.

Inside, the Plek fret-dressing machine hums, lathes turn and sanders buzz as instruments are made in large numbers (81,000 last year). Plus, there’s a spanking clean lobby, a gift shop, a guitar museum and a sparkling white bathroom that pipes in, fittingly enough, a bluegrass radio station.

The rest: http://travel.nytimes.com/2008/02/22/travel/escapes/22guitar.html?em&ex=1203915600&en=181f18d182f3a9cf&ei=5087%0A

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