Reply #69: Time to break out Mark Twain...

[JHB]

...and his "Letters From the Earth", quite a shock to the folks who think he's all "Tom, Huck, and Becky".

Letter II from the Archangel Lucifer to the Archangels Michael and Gabriel: (mods: this is public domain material)

For there is nothing about man that is not strange to an immortal. He looks at nothing as we look at it, his sense of proportion is quite different from ours, and his sense of values is so widely divergent from ours, that with all our large intellectual powers it is not likely that even the most gifted among us would ever be quite able to understand it.

For instance, take this sample: he has imagined a heaven, and has left entirely out of it the supremest of all his delights, the one ecstasy that stands first and foremost in the heart of every individual of his race -- and of ours -- sexual intercourse!

It is as if a lost and perishing person in a roasting desert should be told by a rescuer he might choose and have all longed-for things but one, and he should elect to leave out water!

His heaven is like himself: strange, interesting, astonishing, grotesque. I give you my word, it has not a single feature in it that he actually values. It consists -- utterly and entirely -- of diversions which he cares next to nothing about, here in the earth, yet is quite sure he will like them in heaven. Isn't it curious? Isn't it interesting? You must not think I am exaggerating, for it is not so. I will give you details.
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2. In man's heaven everybody sings! The man who did not sing on earth sings there; the man who could not sing on earth is able to do it there. The universal singing is not casual, not occasional, not relieved by intervals of quiet; it goes on, all day long, and every day, during a stretch of twelve hours. And everybody stays; whereas in the earth the place would be empty in two hours. The singing is of hymns alone. Nay, it is of one hymn alone. The words are always the same, in number they are only about a dozen, there is no rhyme, there is no poetry: "Hosannah, hosannah, hosannah, Lord God of Sabaoth, 'rah! 'rah! 'rah! siss! -- boom! ... a-a-ah!"

3. Meantime, every person is playing on a harp -- those millions and millions! -- whereas not more than twenty in the thousand of them could play an instrument in the earth, or ever wanted to.

Consider the deafening hurricane of sound -- millions and millions of voices screaming at once and millions and millions of harps gritting their teeth at the same time! I ask you: is it hideous, is it odious, is it horrible?

Consider further: it is a praise service; a service of compliment, of flattery, of adulation! Do you ask who it is that is willing to endure this strange compliment, this insane compliment; and who not only endures it, but likes it, enjoys it, requires if, commands it? Hold your breath!

It is God! This race's god, I mean. He sits on his throne, attended by his four and twenty elders and some other dignitaries pertaining to his court, and looks out over his miles and miles of tempestuous worshipers, and smiles, and purrs, and nods his satisfaction northward, eastward, southward; as quaint and nave a spectacle as has yet been imagined in this universe, I take it.

It is easy to see that the inventor of the heavens did not originate the idea, but copied it from the show-ceremonies of some sorry little sovereign State up in the back settlements of the Orient somewhere.

http://www.sacred-texts.com/aor/twain/letearth.htm