Peter Bild in Berlin, Maev Kennedy and agencies
Wednesday September 22, 2004
The Guardian
Snip
An installation by Bruce Naumann at the Flick collection art exhibition. Photo: AP / Jan Bauer
A spectacular exhibition of contemporary art, which opened in Berlin yesterday amid Jewish protests, drew accusations that its billionaire owner was exploiting art to redeem his family's Nazi past.Christian Friedrich Flick, who inherited part of his grandfather's fortune, originally built on wartime slave labour in explosives factories, told journalists yesterday: "I neither want to whitewash the family name, nor can art or the collecting of art compensate for my grandfather's war crimes - but please at least view these works of art separate from politics or my family's history."
Jewish protesters say the vast collection is founded on "blood money".
The quality of the art is not in question: the opening exhibition at the Hamburger Bahnhof, a converted railway station seen as a key to regenerating a still rundown corner of the city, is only a fraction of the collection which will fill the gallery for the next seven years.
The bitter criticism of the Flick collection has spread to the city leaders and the German government - chancellor Gerhard Schröder formally opened the exhibition last night - for accepting Mr Flick's offer to create the gallery, paying the costs of the building and lending his collection.
Yesterday Mr Flick, who mainly lives in Switzerland, said wryly that the exhibition fitted Berlin like a hand in a glove - "or like a fist in the eye".
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http://www.guardian.co.uk/germany/article/0,2763,1309986,00.html