The Murdoch-ization of America has never felt so irreversible. At any given moment, according to Business Week, one in every five households is tuned into a show produced or delivered by News Corp.; meanwhile, Fox News is crushing CNN, the Weekly Standard is running the Bush administration, and three of the top six books now on the New York Times’ best-seller list were published by Regan Books. And in perhaps the most unmistakable sign yet that New York’s preeminent right-wing robber baron has become an entrenched member of the city’s Establishment, Rupert Murdoch recently purchased the late Laurance Rockefeller’s Fifth Avenue triplex for $44 million. In cash.
New York existed before Murdoch. But unlike the staggered, crisis-plagued ascent of fellow tycoon Donald Trump, his rise has been so steady that it has come to appear almost inevitable. It’s easy to forget that his entry into American consciousness was a reckless bet on the future of New York.
The year was 1976, and evidence of the city’s decline was everywhere: subway cars bruised with graffiti, arson fires that swallowed whole ghetto blocks, soaring murder rates, and annual six-figure job losses. The city put on its best face for the Democratic convention, hastily enacting an anti-loitering law that enabled cops to round up most of the prostitutes in the vicinity of Madison Square Garden. For a few days anyway, even Times Square was more or less hooker-free. But the area soon returned to being America’s most infamous erogenous zone.
Around the country, cartoonists poked fun at New York in its apocalypse: The city was a sinking ship, a zoo where the apes were employed as zookeepers, a stage littered with overturned props. Central Park had become a running joke in Johnny Carson’s nightly monologues (“Some Martians landed in Central Park today . . . and were mugged”). The syndicated columnists Rowland Evans and Robert Novak understated the matter considerably when they wrote, “Americans do not much like, admire, respect, trust, or believe in New York.”
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