Three pages long, but worth reading
MICHAEL MOORE is not coy about his hopes for "Fahrenheit 9/11," his blistering documentary attack on President Bush and the war in Iraq. He wants it to be remembered as the first big-audience, election-year film that helped unseat a president. "And it's not just a hope," the Oscar-winning filmmaker said in a phone interview last week, describing focus groups in Michigan in April at which, after seeing the movie, previously undecided voters expressed eagerness to defeat Mr. Bush. "We found that if you entered the theater on the fence, you fell off it somewhere during those two hours," he said. "It ignites a fire in people who had given up."
The movie's indictment of the president is nothing if not sprawling. Mr. Moore suggests that Mr. Bush and his administration jeopardized national security in an effort to placate Bush family cronies in Saudi Arabia, that the White House helped members of Mr. bin Laden's family to flee the United States after Sept. 11 and that the administration manipulated terrorism alert levels in order to scare Americans into supporting the invasion of Iraq.
Mr. Moore's previous films generated a cottage industry of conservative commentators eager to prove sloppiness and exaggeration in his films; a handful of mainstream critics have also found flaws. But if "Fahrenheit 9/11" attracts the audience Mr. Moore and his distributors are predicting, Mr. Moore may face an onslaught of fact-checking unlike anything he — or any other documentary filmmaker — has ever experienced. After all, White House officials and the Bush family began impugning the film even before any of them had seen it.
Mr. Moore is readying for a conservative counterattack, saying he has created a political-style "war room" to offer an instant response to any assault on the film's credibility. He has retained Chris Lehane, a Democratic Party strategist known as a master of the black art of "oppo," or opposition research, used to discredit detractors. He also hired outside fact-checkers, led by a former general counsel of The New Yorker and a veteran member of that magazine's legendary fact-checking team, to vet the film. And he is threatening to go one step further, saying he has consulted with lawyers who can bring defamation suits against anyone who maligns the film or damages his reputation.
http://www.nytimes.com/2004/06/20/movies/20SHEN.html