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It should be noted that the correct term for this book is "graphic novel." For anyone who hasn't checked out both Maus books, I can't recommend them enough. They are absolutely brilliant. A Comic-Book Response to 9/11 and Its Aftermathhttp://www.nytimes.com/2004/08/07/arts/design/07SPIE.html?8hpib"Unlike most cartoonists, the Pulitzer Prize winner Art Spiegelman, 56, tends to focus on the big traumas of contemporary history and their impact on his life. Mr. Spiegelman's graphic novels about how his Polish-Jewish parents survived the fires of World War II, "Maus I" and "Maus II," sold 1.8 million copies in the United States, according to his publisher, Pantheon Books. Next month Pantheon is releasing "In the Shadow of No Towers," Art Spiegelman's artistic response to the attacks on Sept. 11, 2001, as well as an expression of his deep opposition to the war in Iraq.
The cartoonist spoke with Claudia Dreifus about his new work in an interview at his Lower Manhattan studio, and also by telephone and e-mail messages. An edited version of the conversations follows:
In the new book, the lead character is a cartoonist named Art Spiegelman who lives in SoHo and witnesses the events of 9/ll at his doorstep. He becomes depressed, terrified and angry. Why did you choose to depict yourself as a chain-smoking, unshaven, potbellied paranoid dressed in a cheerleader outfit?"---------- Also, there's a great piece on the entere graphic novel genre that appeared in the NY Times Magazine on July 11. Here's the link to that: Not Funnieshttp://www.nytimes.com/2004/07/11/magazine/11GRAPHIC.html?ex=1092024000&en=529f80f878fa1a39&ei=5070 "You can't pinpoint it exactly, but there was a moment when people more or less stopped reading poetry and turned instead to novels, which just a few generations earlier had been considered entertainment suitable only for idle ladies of uncertain morals. The change had surely taken hold by the heyday of Dickens and Tennyson, which was the last time a poet and a novelist went head to head on the best-seller list. Someday the novel, too, will go into decline -- if it hasn't already -- and will become, like poetry, a genre treasured and created by just a relative few. This won't happen in our lifetime, but it's not too soon to wonder what the next new thing, the new literary form, might be.
It might be comic books. Seriously. Comic books are what novels used to be -- an accessible, vernacular form with mass appeal -- and if the highbrows are right, they're a form perfectly suited to our dumbed-down culture and collective attention deficit. Comics are also enjoying a renaissance and a newfound respectability right now. In fact, the fastest-growing section of your local bookstore these days is apt to be the one devoted to comics and so-called graphic novels. It is the overcrowded space way in the back -- next to sci-fi probably, or between New Age and hobbies -- and unless your store is staffed by someone unusually devoted, this section is likely to be a mess. ''Peanuts'' anthologies, and fat, catalog-size collections of ''Garfield'' and ''Broom Hilda.'' Shelf loads of manga -- those Japanese comic books that feature slender, wide-eyed teenage girls who seem to have a special fondness for sailor suits. Superheroes, of course, still churned out in installments by the busy factories at Marvel and D.C. Also, newer sci-fi and fantasy series like ''Y: The Last Man,'' about literally the last man on earth (the rest died in a plague), who is now pursued by a band of killer lesbians.
You can ignore all this stuff -- though it's worth noting that manga sells like crazy, especially among women. What you're looking for is shelved upside down and sideways sometimes -- comic books of another sort, substantial single volumes (as opposed to the slender series installments), often in hard cover, with titles that sound just like the titles of ''real'' books: ''Palestine,'' ''Persepolis,'' ''Blankets'' (this one tips in at 582 pages, which must make it the longest single-volume comic book ever), ''David Chelsea in Love,'' ''Summer Blonde,'' ''The Beauty Supply District,'' ''The Boulevard of Broken Dreams.'' Some of these books have titles that have become familiar from recent movies: ''Ghost World,'' ''American Splendor,'' ''Road to Perdition.'' Others, like Chris Ware's ''Jimmy Corrigan: The Smartest Kid on Earth'' (unpaged, but a good inch and a quarter thick) and Daniel Clowes's ''David Boring,'' have achieved cult status on many campuses.
These are the graphic novels -- the equivalent of ''literary novels'' in the mainstream publishing world -- and they are beginning to be taken seriously by the critical establishment. ''Jimmy Corrigan'' even won the 2001 Guardian Prize for best first book, a prize that in other years has gone to authors like Zadie Smith, Jonathan Safran Foer and Philip Gourevitch.---------- Again, this is great stuff, and a wonderful genre. Check it out. You'll be glad you did. |
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