kind of surprising
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Beastie Boys
To The 5 Boroughs
These are some things that have changed since the Beastie Boys' last studio album, Hello Nasty, was released in 1998: There is no Grand Royal Records; the trio shut down its eccentric custom label in 2001. Adam "MCA" Yauch's deep, rough growl is now an even deeper, stranger weapon of taunt; he now fires boasts and insults like a hip-hop Tom Waits, in a smoker's-cough harangue scoured free of melody.
And there is no World Trade Center. This may seem like a weird time -- wartime, everywhere you look -- for Yauch, Adam "AdRock" Horovitz and Michael "Mike D" Diamond, all on the cusp of forty, to make a record that in its gibes and hyperspeed is the closest they have come to their old-school fight and comedy on 1986's Licensed to Ill. Actually, it is the perfect time. To the 5 Boroughs is an exciting, astonishing balancing act: fast, funny and sobering. "I bring the shit that's beyond bizarre," Horovitz asserts against the quick hop and spears of sampled brass in "Ch-Check It Out." "Like Miss Piggy," he adds, apropos of nothing, to which all three respond in idiot falsetto, "Who moi?" In "Right Right Now Now," the Beasties lament Columbine and call for "more gun controlling" over tense rolls of Muzak harpsichord, then twist the chorus of their biggest hit into a free-speech cheer, retrieving Public Enemy's inversion from 1988: "We're gonna party for the right to fight." The Beasties pour the Pink Champale and Riunite here, but they're not drinking to forget. They turn the dis on "a president we didn't elect" in "It Takes Time to Build": "Is the U.S. gonna keep breaking necks/ Maybe it's time that we impeach Tex."
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