I'm hearin' a whole lot of Steve Earle influence by way of his "Copperhead Road" days.
This is the brand new one, just came out last week:
http://www.amazon.com/exec/obidos/tg/detail/-/B0002E5OIW/qid=1094004423/sr=1-1/ref=sr_1_1/104-3379964-5914316?v=glance&s=musicThe one before that, "Decoration Day," is widely recognized as their best and has an unforgettable stomper, "Hell No, I Ain't Happy"...
"They earned wide acclaim with the double-disc Southern Rock Opera, a sprawling concept album about Lynyrd Skynyrd. Their three-guitar lineup and greasy look signify big, dumb rock in the minds of many, but their songwriting is relentlessly whip-smart. And what may be their greatest song, "The Living Bubba," is an ode to a righteous, hard-rocking redneck felled by AIDS. No, the Drive-By Truckers never do anything by the book, so it's no surprise that with Decoration Day, the band's first release for indie New West Records, Patterson Hood and his mates take another rewarding left turn. The album boasts a handful of crowd-pleasing, party-starting cuts, like the brash, cranky rocker "Hell No, I Ain't Happy" and the Stones ringer "Marry Me." Yet more common are moments of startling beauty (the steel solos on "The Deeper In" and "Loaded Gun in the Closet" and the jangling guitars, rolling melodies, and soulful fiddle breaks of "Heathens" and "My Sweet Annette") and heavy doses of recrimination and regret, as in the back-to-back suicide tunes "When the Pin Hits the Shell" and "Do It Yourself." --Anders Smith Lindall"
http://www.amazon.com/exec/obidos/tg/detail/-/B00009M8IA/qid=1094004423/sr=1-2/ref=sr_1_2/104-3379964-5914316?v=glance&s=musicAnd thye one that first got them wide-scale attention was the 2-CD "Southern Rock Opera," loosely based on the Lynyrd Skynyrd saga:
"You don't need a bottle of Jack or even a trace of Southern lineage to appreciate the genius of Drive-By Truckers' Southern Rock Opera. Without a hint of irony, the Athens, Georgia, quintet creates a fast-driving, hard-living tribute to the indelible music and legacy of Lynyrd Skynyrd. Like any good concept album, there's a modicum of plot and a theme to these 20 songs (loosely based around the rise and fall of fictitious Southern rock band Betamax Guillotine), but the best tracks make you forget the story line altogether: "Birmingham," "Zip City," and "Let There Be Rock." The "opera" aspects bog things down a bit--you probably only need to hear the spoken-word track "The Three Great Alabama Icons" once--but the overall concept still comes off without a hitch. The lyrics are great, the trio of electric guitars is blessed with raw production, and the tunes--though lacking the pop sensibility of, say, "Gimme Three Steps"--will have you cranking up the album for your friends. And, after a few spins of Southern Rock Opera, you might even find yourself digging out those old Skynyrd LPs to hear the real thing again. --Jason Verlinde"
http://www.amazon.com/exec/obidos/tg/detail/-/B000068FUS/ref=pd_bxgy_img_2/104-3379964-5914316?v=glance&s=music