They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city.
It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings.
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The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton.
The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square.
http://www.nytimes.com/2005/11/26/arts/design/26slav.html?pagewanted=1&th&emc=th