thanks for the info
...have seen controvery surrounding numerous artists and works...
http://www.artnews.com/issues/article.asp?art_id=2896"...Mordechai Omer, director of the Tel Aviv Museum, is more ambivalent, even though his museum is hosting the exhibition. "Sculptures by Degas are always in question," he said in an interview with ARTnews. "The Maibaum story is a possible story. If I believe that, it is a wonderful opportunity to enjoy the sculpture of Degas, knowing from the beginning that there are casts of casts..."
from
http://saintlouis.art.museum/emuseumLittle Dancer of Fourteen Years
c.1880, cast c.1920
Edgar Degas
French, 1834–1917
bronze, gauze, and satin
Funds given by Mrs. Mark C. Steinberg: Accession Number: 135:1956: On view in Gallery 218
Place made: Paris, France
The model for this sculpture was Marie van Goethen, a young ballet student at the Paris Opéra. When the original version of this sculpture (made of wax, and now at the National Gallery of Art in Washington, DC) was exhibited at the 1881 Impressionist exhibition, it was criticized for its unprecedented realism and was even considered ugly. In addition, many people found the mundane subject matter and unusual combination of materials-including real clothes-unsuitable for a work of art. It was the only sculpture exhibited by Degas in his lifetime.
Notes:
<1> A. A. Hébrard had an arrangement with Degas's heirs to oversee the posthumous casting of Degas's sculptures, including "Little Dancer of Fourteen Years," into bronze. The arrangement involved making casts for Hébrard himself, for the heirs, and another set for sale
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Notes:
<1> A. A. Hébrard had an arrangement with Degas's heirs to oversee the posthumous casting of Degas's sculptures, including "Little Dancer of Fourteen Years," into bronze. The arrangement involved making casts for Hébrard himself, for the heirs, and another set for sale .