General Discussion
Related: Editorials & Other Articles, Issue Forums, Alliance Forums, Region ForumsPop group ABBA ask Donald Trump to stop using their songs, but Trump team says they have the OK
NEW YORK (AP) Swedish supergroup ABBA has asked Donald Trump to stop using their music at campaign rallies, but the Republican presidential nominees campaign says it has permission.
ABBA has recently discovered the unauthorized use of their music and videos at a Trump event through videos that appeared online, said a statement to The Associated Press from the band, whose hits include Waterloo, The Winner Takes It All and Money, Money, Money.
As a result, ABBA and its representative has promptly requested the removal and deletion of such content. No request has been received; therefore, no permission or license has been granted.
https://apnews.com/article/abba-trump-campaign-1965f788ab05e835b7facc1cddae8ed2
Lonestarblue
(13,480 posts)DeepWinter
(931 posts)You can usually (almost always) bypass the band or artist directly and pay an organization that has the "Sync license" and/or the "master license" for the song itself. The sync license can be from anyone who paid the artist for usually a limited time period where they can rent it out themselves, or the master license from the (typically) record label. The bigger the band, the more songs they have, the more necessary it is to hire a third party to control the use/control/permission of the songs. It can be hundreds of inquiries a day. The courts are chock full of lawsuits where the bands are not happy who the business or record label allowed to use the song. In the end, the bands that do this (which is nearly all) signed a contract for financial gain allowing a 3rd party to more or less rent out their songs without their approval or knowledge to any specific group or person. It's a business like any other business.
The music industry is a horrible horrible industry where artists frequently sign away absolute control over their work for the financial gain. They often lose track of even who has the authority to give permission to use their work. ABBA may hate Trump using their song, but they will get their fee for him using it. (If the above situation applies. It likely does.)
mucifer
(25,667 posts)People would be interested in something like this.
mucifer
(25,667 posts)You know, like " We are the world".
A girl can dream.
NJCher
(43,165 posts)A documentary about all the times trump has appropriated the music of groups that want no association whatsoever with him.
Ironic, isnt it, that they played Money, money and theres none for the musicians, only for trump.
enid602
(9,684 posts)Dont worry, Donny. Maybe the Archies will let you borrow Sugar Sugar.
John1956PA
(4,964 posts)I think that CBS hired the Archies singers and signed them to a contract by which the network held the copyright to the songs and to the singers' recordings. I was always fascinated by that arrangement, especially because "Sugar, Sugar" was the No. 1 song of 1969.
Think. Again.
(22,456 posts)...and use that film in campaign ads.
Hugin
(37,848 posts)Then, he gave himself a tiny inadequate thumbs-up.
MAGAhick Johnson concurred.
Think. Again.
(22,456 posts)Ms. Toad
(38,637 posts)It says what those of us familiar with licensing music have been saying since these complaints started coming out: his campaign has licenses through BMI and ASCAP.
Hugin
(37,848 posts)If youd read my post.
Also, without seeing the actual agreements between any specific performers and their licensing agents. We cant comment.
Keep in mind, Trumps people lie as they breathe. They know few will check to see what those agreements actually are. They live by the motto, Do first and then double down later. So, I refuse to give them the benefit of a doubt.
Ms. Toad
(38,637 posts)Their music is available through BMI. Feel free to check. Music available through ASCAP, BMI, and SESAC can be used by anyone who has a performance license from the entity authorized by the copyright holders (or is performing in a venue which has a license). That's just how it works.
The entire setup is designed so that people who need music for events from ball games to weddings to political conventions can have access to that music without negotiating, for each song used, with licensing agents for each of the copyright holders (performer, composer, lyricist, arranger, etc.) associated with each song they want to use. If the music is in the library and you have a BMI/ASCAP/SESAC license, you get to use it. You don't have to ask for additional permission.
Hugin
(37,848 posts)
Q: What is the BMI Political Entities license?
The BMI Political Entities license authorizes the public performance of over 22.4 million musical works in BMIs repertoire at events and functions hosted by political campaigns and organizations. This blanket license ensures that political entities are in compliance with copyright law wherever events may occur throughout the duration of the campaign. The license includes a provision that permits BMI to exclude a musical work(s) from the license should we receive an objection from a songwriter or publisher regarding its use by the licensee. If that occurs, BMI will notify the licensee that the particular musical work has been removed from license and is no longer authorized by BMI to perform the musical work.
From: https://www.bmi.com/licensing/entry/political
It would appear the ABBA representative quoted in the article is exercising their option. I am sure there are similar provisions for the other international licensing organizations. I will not waste any more time looking them up. I just happened to have this one handy.
No theres no SCrOTUS immunity for god-kings to do as they please.
Ms. Toad
(38,637 posts)Isn't exercising that option. There is a process, which doesn't include threatening to sue, making a statement to the press claiming Trump didn't ask for consent, etc.
In one of early posts today in this issue, I mentioned exceptions - political use exception is one of those. But none of the groups I've seen complain claim to have excluded political use, or claim to have asked BMI/ASCAP/SESAC to remove their works from Trump's license - but that he continues to use it after they withdraw consent. They simply claim, after hearing their work used, that Trump didn't obtain their permission or a license.
onenote
(46,142 posts)First, ABBA, or its members, probably don't own the copyright to the songs. The copyright in a musical composition typically is transferred early on to a publishing company. So assuming that the members, or some of the members, of ABBA are the composers of the songs being used, they may not be the "licensee" with the authority to object to the use of the songs. Second, even if they do have the right to object, if they didn't notify the performing rights society that they object to the use of the songs before they were used, the objection would stop future use, but not render the previous use infringing. Finally, the actual sound recordings made by ABBA of the songs in questions are copyrighted separately from underlying musical compositions and often held by a different entity. And, in any event, there is no "public performance" right in a sound recording.
Hugin
(37,848 posts)Thats all I know about it.
If ABBA songs are no longer featured at Trump shit shows or if litigation is filed. Well have our answers.
onenote
(46,142 posts)There is a reason why artists often complain about the use of their songs and threaten litigation, but very rarely carry out that threat.
Hugin
(37,848 posts)Elsewhere, in their FAQs. I suppose a performer could go it alone if they want a bite of the rotten orange, who never pays settlements.
Another big question is if Trump Inc. has a regular business use license or a specific political license. The two are very different. I am willing to extend my speculation to its a business use only. Unless, what theyre claiming in the article is part of the RNC elephant corpse the hyenas are tearing apart.
I have suspected that performers have been pulling their works from use by Trump for some time. Noticing the increasingly weird fare that hodgepodges their playlists.
NJCher
(43,165 posts)A musical group who wants to be associated with trump.
Think. Again.
(22,456 posts)multigraincracker
(37,651 posts)These groups should get together and do what they do best and do a tRumpe is Nuts Concert. Use lots of humor and have millions laugh at him. Biggest crowd ever. He is use to getting sued, but cant stand being laughed at. Might push him off the deep end.
Ms. Toad
(38,637 posts)(for the umpteenth time)
Unless ABBA opted out of certain uses, in advance, Trump doesn't have to ask the group for permission.
I suggest to you that abba knows that. Theres some other factors at work here which were explained to you quite adequately upthread.
Ms. Toad
(38,637 posts)Licensing music from ASCAP/BMI/SESAC is part of what paid my bills before I retired. I have direct knowledge of how it works.
NJCher
(43,165 posts)I negotiated contracts directly for artist appearances.
Ms. Toad
(38,637 posts)From using pre-recorded music that is available by license through ASCAP/BMI/SESAC. You have a lot more flexibility to individualize the terms, and to reject performing at specific events when you are negotiating a performance contract.
Licensing through BMI/ASCAP/SESAC is much more standardized, since it is designed for mass use (both by individuals and venues who want to use music, any for disbursing the royalties to the many copyright holders involved in each piece)
NJCher
(43,165 posts)and my experience encompasses this, too, for major corporations. I'd elaborate but I don't want to sound like a name dropper.
Ms. Toad
(38,637 posts)So I'm surprised you are contributing to the misinformation about how standard venue/individual licensing works. While there are different categories of licensing (venue, performer, etc.) none of them require negotiating directly with the copyright holders as long as the work has been licensed through BMI/ASCAP/SESAC. The entire point of that scheme (from copyright holders and user standpoint) is to standardize the process.
onenote
(46,142 posts)I have been representing companies with respect to copyright legislation for more than 40 years. Both on the Hill and in private practice I have helped draft, and advised clients regarding multiple pieces of copyright legislation, including the Digital Performance Right in Sound Recordings Act of 1995.
Generic Brad
(14,374 posts)That is all they do is lie.
bluestarone
(22,178 posts)There lips move, they are lying!!