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ND-Dem

(4,571 posts)
Mon Mar 16, 2015, 08:14 PM Mar 2015

"I can't afford to (heart) NY": How Detroit became a makers' hotspot

Makers are slowly but surely helping to regenerate the city of Detroit, which collapsed with the auto industry. Since the Michigan metropolis went under largely because it relied on a single corporate industry, diversification by creativity seems a fitting antidote. “When you take a city down to a low point, it requires such an enormous amount of heart and soul to rebuild,” says Shane Douglas of Douglas & Co., a designer and hand-maker of fine leather goods in Detroit. ..

Creatives from other cities are even moving in now. Brooklyn-born-and-bred Galapagos Art Space is relocating its 20-year-old performance center to Detroit after being priced out of New York. Galapagos bought nine buildings totaling 600,000 square feet and has plans to create a 10,000 square-foot lake near Detroit’s Corktown in an area some refer to as the “Hubbard-Richard” neighborhood.

Galapagos Executive Director Robert Elmes told the New York Times they bought the buildings for the price of a “small apartment in New York City” at the time. Among the buildings is “an old power plant that looks like a little Tate Modern,” Elmes said. Galapagos helped put Williamsburg, Brooklyn on the art map. Now it’ll give Detroit cache...



Detroit...unlike most cities, it does not have a creative district per-se. There’s creative stuff brewing everywhere here–in the Edison District, Corktown, and New Center even Downtown. A recent article by a New York Magazine writer on Vulture.com looked at nine artists who don’t plan on leaving Detroit anytime soon. They prize the honesty and edge of Detroit and the low cost of living...Scores of nifty start ups in Detroit now sell locally made wares.

Grace Lee Boggs, a Detroit-based author and social activist is one of many subjects interviewed and photographed in Detroit Resurgent, a recently published book of photographs, interviews, essays, and poetry that provides a powerful counter-narrative to the city as a Rust Belt wasteland. As she says in the book, “I think the sense that you have in Detroit is that it’s the end of something and the beginning of something new. It’s very rare that someone lives at that time, at that place, where something’s disappearing, vanishing into the past, and something new is emerging. That’s very inspiring, to be at that particular time.”

https://www.yahoo.com/makers/made-in-detroit-110026670215.html

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"I can't afford to (heart) NY": How Detroit became a makers' hotspot (Original Post) ND-Dem Mar 2015 OP
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