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malaise

(268,577 posts)
Sun Jun 5, 2016, 01:49 PM Jun 2016

One of the best books I ever read on Muhammad Ali was Redemption Song: Muhammad Ali and the

Spirit of the Sixties.

Marqusee was Zirin's mentor. I loved him - he left the US over the Vietnam War and wrote a classic book on cricket Anyone But England.

Here's Zirin's tribute to Marqusee when he died last year January.

http://www.thenation.com/article/death-irreplaceable-mike-marqusee/
Radical journalist Mike Marqusee, the greatest professional influence on my life, has died, and I’m wrecked about it. Losing Mike is like losing several pints of blood. I’m left dizzy by the prospect of his absence. On the most basic level, there is my own sense of debt. I’m a sportswriter because Mike Marqusee made me one. I divide my life not “before and after I had kids” or “before and after I moved out of my mom’s house in New York City” but “before and after I read Redemption Song: Muhammad Ali And the Spirit of the Sixties” in 1998.

Not only did Redemption Song rediscover quotes, speeches and dimensions of Ali’s politics and personality that had long been buried, but it revealed to me that sports writing could be something different and even something dangerous. Until this time, I was a young political activist and a die-hard sports fan with those obsessions in decisively separate worlds. The political sports writing I had read was dense and sleep-inducing. The exciting sports writing I consumed was like junk food, leaving me hungry and a little nauseous after gobbling it up. Redemption Song was revelatory. Here was sports writing that would make your adrenalin rush with every Ali jab in the ring as well as every Ali political riff, all brought together with Mike Marqusee’s rambunctious and deftly humorous prose.

Read all of this and then order Redemption Song

When I started writing about sports, my task was how to do it without ripping off Mike Marqusee, either in style or substance. I often failed. As a newly minted, self-proclaimed sports journalist, I often felt like I was in a fog of writer’s block. Asking me to forgo shameless borrowing from Marqusee was like asking me to give up my compass. This desire to mimic his style only mushroomed as I started reading his other books, brilliant analysis of subjects—unlike Ali—I had no interest in previously. Mike Marqusee had me consuming stories of cricket and Bob Dylan like they were tales of the 1998 Chicago Bulls.

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