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Albert SPEER ....
When Troost died on January 21, 1934, Speer effectively replaced him as the Party's chief architect. Hitler appointed Speer as head of the Chief Office for Construction, which placed him nominally on Hess's staff.[27]
One of Speer's first commissions after Troost's death was the Zeppelinfeld stadium—the Nürnberg parade grounds seen in Leni Riefenstahl's propaganda masterpiece Triumph of the Will. This huge work was able to hold 340,000 people.[28] Speer insisted that as many events as possible be held at night, both to give greater prominence to his lighting effects and to hide the individual Nazis, many of whom were overweight.[29] Speer surrounded the site with 130 anti-aircraft searchlights. Speer described this as his most beautiful work, and as the only one that stood the test of time.[30]
Nürnberg was to be the site of many more official Nazi buildings, most of which were never built; for example, the German Stadium would have accommodated 400,000 spectators, while an even larger rally ground would have held half a million people.[28] While planning these structures, Speer conceived the concept of "ruin value": that major buildings should be constructed in such a way they would leave aesthetically pleasing ruins for thousands of years into the future. Such ruins would be a testament to the greatness of Nazi Germany, just as ancient Greek or Roman ruins were symbols of the greatness of those civilizations. ....
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