Rebirth: Artist Manabu Ikeda Unveils a Monumental Pen & Ink Drawing Nearly 3.5 Years in the Making
Source: Colossal
The 2011 Tōhoku earthquake and tsunami in Japan was one of the most devastating environmental events of our time, with its overall impact rippling across the globe for years to come. But just as stated in Newtons third lawfor every action, there is an equal and opposite reactionso too did the people of Japan respond to the magnitude of the destruction in an effort to rebuild their country anew as captured in this staggering new artwork by Manabu Ikeda titled Rebirth. Starting in July of 2013, Ikeda toiled away on the 13 x 10 foot piece for 10 hours a day inside a basement studio at the Chazen Museum of Art in Madison, Wisconsin. He finished work just last week.
At its core, Rebirth depicts a tree rising from the debris of the tsunami as enormous waves crash nearby, but a closer inspection reveals thousands of tiny details, the individual stories of anonymous people, plants, and animals as they fight for survival and try to return their world to a semblance of order. Ikeda says that in his work he seeks to replicate the beautiful chaos of life that rarely fits a simple linear narrative. Instead, everything crashes together and interacts in unknown and unexpected ways, an idea that applies directly to his process as he often doesnt know what each day will bring as he works inch by inch on the near endless canvas before him.
While Ikeda sketches broad details in pencil on the canvas beforehand, he primarily works with pen and acrylic ink using various forms of cross-hatching and brushwork to fill areas so dense with details, the true nature of the artwork isnt revealed until staring at it from only a few inches away. Mountains of vehicles, gnarled tree branches, and train tracks sit tangled at the base of a tree, and flower blooms comprised of umbrellas and emergency tents fill the sky above. Everywhere a collision of humankind and nature, for better or worse.
My goal is to faithfully express my view of the world in my composition, but I dont intentionally depict detailed images, he tells the Chazen. Because I see details when I observe things, rather than the whole, I find pen and ink to be the best tools to express how I see them.
vimeo.com/192649900
More:
http://www.thisiscolossal.com/2016/11/rebirth-manabu-ikeda/
What an amazing piece of art!