apart in terms of structure (and non-fiction obviously requires detailed research and documentation unless you are writing a memoir specifically -- or historical fiction). Have you worked on basics such as constructing effective dialogue for example? (I have taught creative writing and write fiction and academic work). Working on a novel is so very different -- you will need to consider narrative point of view, plot line, characters and characterization, dialogue, etc etc etc. You will need to craft a prose style that is suitable to the form.
If you are trying to write a memoir (like Girl, Interrupted) read as many examples as possible; also, look into the unique issues that accompany writing a memoir (including the names of real persons, or people who can quickly identify themselves, can be very risky for example -- also the names of real places). A memoir also needs to be constructed in a way that makes it interesting for readers OTHER THAN the writer herself/himself. This is much more tricky than it sounds.
There are a number of websites you can visit (creepypasta for horror and supernatural fiction for just one example) to share your writing with other aspiring writers. Honestly I would not worry about someone stealing your work.
You have introduced items I have never thought through...like those at the reform school...who should I name? Ms Stark who ran it? Or the crazy woman at the 'punishment' cottage?
angry for being there...angry because my probation officer assured me she would advise foster care and instead said i should go back to Bonair
And that was 50 years ago!
advice for how to write or publish a memoir, but I am over here cheering you on.
Keep us posted.
A couple of chapters to get the juices going!
you do post. If you want others to read it but don't want it spread all over, get a Dropbox or Google Drive account and put it there, where you have to give permission for anyone to read it before you are ready to publish. And use the copyright symbol on everything.
It's never worked well for me because, whenever I try it that way, I ramble. I've always had to make detailed outlines for my books.
However, your advice is pretty similar to the advice Stephen King gives in his book On Writing. While he gives great advice for pre-planning, he admits that he often doesn't have a roadmap for his books. Sometimes, he just opens up word and starts writing.
I wrote my first book starting in 2012 - was published in 2014 - no formal writing training, but I was a long time blogger and journaled throughout my life - and I love to read. It just sort of flowed out of me - my editor helped considerably to mold and shape my words.
It is really helpful.
Writing comes easy to some, very hard to others - you only will find out when you take the plunge.
Keep adding sentences until you have no more to say.
Then, use one of the free file format conversion programs to turn it into an e-book and put it on Amazon and wait.
Promote it on your favorite social media venues.
If it's a work of genius, people will buy it. If not, well...
I need to do the grunt work, or just let it die...I do not want to let it die..
I am lucky to be alive today. So many ways I should have died.
A paraphrase from a conversation between Gene Wolfe and Neil Gaiman, about writing. It always holds true.
For Non-fic, start with a series of outlines. The first one should be a 1 pager, extremely high level: Incitement, arc, denouement. Locations, characters. 300 words, max. The second should take that one and break it down into chapters, so 3-5 pages. Third is breakdown to scenes - usually about 10 pages or 1 page of outline per 1000-2000 words. When/if you start writing dialogue, you're done outlining and moving into writing. Then it's all BICHOKFTSB - Butt in Chair, Hands on Keyboard, Furiously Typing, Sweating Blood. Nothing substitutes for doing the work. Set a daily goal -- 1000 to 5000 words, 1 scene to 1 chapter. Never stop at the end of a chapter or scene; write the next few sentences so you can get back in the groove faster the next day.
Finish a first draft. Just finish something. Editing happens after you type THE END. You cannot edit if it's not finished. Expect the first draft to appall you about six weeks after you finish, and to delight you. But in those six weeks, don't touch it. Unless you're on deadline, then you maximize the number of days you can walk away from it, and go DO SOMETHING where you've got zero chance of messing with it while it's composting. Manuscripts must compost between 1st draft and 2nd, because your brain needs to reset.
If you're really lost, allow me to recommend a few seasons of two different podcasts as tutorials. They're both aimed at fiction, but you're talking creative non-fiction, so there are similarities. Writing Excuses, http://www.writingexcuses.com seasons 9 through current (though season 8 is also very useful, and the whole run has been excellent). Each one is 15-20 minutes long, and they break down all aspects of world building, characters, formatting, conflict, narrative arcs, you name it. (And, yes, non-fic needs narrative arcs, otherwise it's just a series of things that happened.) Do their homework. If you spend the next six weeks doing one podcast and exercise per day, you'll be a better writer at the end.
The Journeyman Writer is now an archived podcast, no longer in production (though the host has moved on to other things). Each episode is about 5 minutes long, and each episode is intensely focused on one aspect. It's about handling the details of writing and keeping with it. https://storywonk.com/category/podcasts/the-journeyman-writer/
It's really not hard if you break it down into steps.
Here are the steps I use:
1.) What do I want the overarching moral of the story to be?
2.) Summarize the story in a single paragraph.
3.) Break that paragraph down into segments. These segments will later become chapters.
4.) Write bullet points under each chapter. Use those bullet points to detail specific things you want that chapter to include.
5.) Write a 15 to 20 page treatment of the story using the information in steps one through four.
The next step is to write the book! It's that easy!
distinguish an amateur writer from a polished, experienced writer by the way in which the writer constructs dialogue.
For other people, captivating descriptions are hard.
Dialogue has long been a bane of mine because I was born deaf. As a result, the way I speak in day to day life is very different than the way other people speak. I have to constantly remind myself of that. I'm also not afraid of getting help with dialogue. One of the greatest assets a writer can have is to NOT be offended when someone offers you constructive advice.
When it comes to the story, or to dialogue, I don't take every piece of advice but I certainly listen. And I adore editors, especially copy editors. The more corrections an editor has, the more I appreciate them! Despite my mother being an English teacher, grammar has never been my strongest suit.
So, in light of your good point about dialogue, I would recommend the OP get someone to read his story, early in the writing process, and tell him how the dialogue flows. Definitely, do that before sending query letters, anything like that.
And don't ever be ashamed to ask for advice! (That's to the OP, obviously). Advice is an amazing tool and MOST people want to help rather than tear you down.
a common problem. In a lot of otherwise pretty good, well-written books the dialogue isn't very realistic. I'll be reading along and start thinking, "Hey, real people don't talk like that," or "A real person of that age/profession/gender/or whatever wouldn't talk like that in that situation." Sometimes the dialogue is clearly expository - that is, the author is trying to convey some information or background by having one of their characters talk about it in detail - but it often sounds artificial because in a real situation the character wouldn't be giving that explanation.
I wonder if it would help the writer to speak their dialogue out loud, or have someone read it to them.
The best advice I ever had from a writer who was also teaching my English Composition class was to read a lot.
For Non-Fiction, research and write a few essays on the topic you want to write about. 10 - 15 pages; the normal "chapter" size.
After you've finished, put them away and read other authors on your topic. After you've finished, read your essays *aloud* to yourself.
If your essays "flow" from point to point in a logical order and don't continue to re-hash personal opinions as concepts or seem repetitious or as if you were presenting "bullet points" to hammer your audience with, then you have a good chance to flesh out the subject and be able to flesh out the draft outline you will need to create to bound your Non-Fiction presentation into a book (rather than a lecture).
If you're a fiction writer, write a few "short stories" in the style of your favorite authors with their characters, and compare the differences in the "read". If your plot and characterization seem to be something that writer would have come up with, then you've got a good idea on your writing capabilities.
The most common "how did you learn to write" explanation I've read from successful authors I like was - "as a child, I used to write continuing adventures of characters in the books I liked..."
That, and not self-editing too much. Back in the 90's (Before the Cloud), I had a friend who wanted to write historical romance and actually finished a draft manuscript she was going to send out to an editor. It was pretty good; she researched the time period and developed well rounded characters that weren't "anachronistic", her main and sub-plots were reasonable for the time period, and her dialog did not go into exposition too much.
She had just started shopping agents - and after a first rejection from an agent that dealt with History Non-Fiction, she decided to tweak the plot a bit for the Romance Novel agents; after all, Romance "trilogies" and series make lots of money, right? (She loved the Brother Cadfell novels, ignoring the fact that after the sixth book in the series, the author was pretty much rehashing the same basic plots along with the interspersing of history...)
Since she had fallen in love with her main hero character (always a risk, especially after a divorce..), she decided to put a bit more of herself into her heroine; completely turning both characters into 20th century idealized stand-ins...
...and she re-wrote over her 300+ page final draft (instead of saving it to a floppy first) and by the time she started sending out her manuscript to fiction agents, all she got was "won't sell, needs a lot more work, needs research, just not balanced between plot and characters..."
And what would have been a really nice historical adventure-romance turned into FanFic that would only be sold either in the back Sci-Fi/Fantesy errata corner of a local comic book shop or at conventions.
Anyway, Good Luck. And whether the book is Fiction or Non-Fiction - don't fall in love with your main characters!
... and ask if there are any creative writing professors interesting in taking on a commission.
The creative writing professors at the UNiversity where my wife teaches take on co or ghost writing commissions all the time.
Use that as the skeleton to hang your story from. Lots of it will suck, rewrite and change the outline to make yours read better.
I wrote a few books but never bothered trying to publish.
My published work is all technical law related stuff.
She'd turn rambling prose written on yellow tablets, or even dictation on cassette tapes, into something coherent and neatly typed that could be published.
Things are a little different today with word processing, the internet, and electronic publishing.
Some people have done well opening up to random strangers on the internet. Andy Weir, author of The Martian did that. It takes some thick skin however. My sister has blogged some very personal stuff, ignored the horrible flack that all opinionated women get on the internet (including rape threats from anonymous strangers), and pushed through to publishing... at which point she sometimes shuts down a blog with great haste, which doesn't make it go away really, but closes the door to new harassment in that particular venue.
There are a few protected places on the internet for criticism and advice. DU is not such a place because there are so many right wing assholes obsessed with DU who will do everything they can to find you on facebook and other social media sites, or even where you live.