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This is what happens to salt when you vibrate it at different frequencies (Original Post)
tblue37
Oct 2022
OP
Deuxcents
(26,915 posts)1. Wow
brush
(61,033 posts)2. Amazing. Must be some way to use that...
characteristic.
iluvtennis
(21,497 posts)3. Love it - thanks for the post. n/t
sop
(18,621 posts)4. Fascinating.
Kensan
(185 posts)5. I feel like I'm watching the opening credits to Rings of Power....
Some of those shapes seem to be exactly the same as the opening montage. Very cool video you linked. Thank you.
eShirl
(20,259 posts)12. YES! sound moving mineral
I imagine it caused by Disa warming up her voice
found it
IbogaProject
(5,913 posts)6. Here is something similar w water and light
Here is something similar with water and light.
calimary
(90,021 posts)10. Wasn't expecting anything like that, either!
What a COOL thread!
ShazzieB
(22,590 posts)7. My mouth was literally hanging open when I watched this!
That is astounding.
burrowowl
(18,494 posts)8. Cool!
calimary
(90,021 posts)9. WOW!
I was not expecting anything like that!
Thanks, tblue37!
keithbvadu2
(40,915 posts)11. Salt shaker
sl8
(17,110 posts)13. Chladni Plates
https://americanhistory.si.edu/science/chladni.htm
Chladni Plates
Historical Context
The German scientist Ernst Chladni was one of the pioneers of experimental acoustics. His research on different kinds of vibrations served as the basis for the scientific understanding of sound that later emerged in the 19th century.
One of Chladnis inventions was a technique to study the motions of vibrating plates. Starting with a metal plate whose surface had been lightly sprinkled with sand, he found that bowing it produced characteristic patterns that could be related to the physical dimensions of the plate. Chladnis Plates, as they came to be called, provided an early way to visualize the effects of vibrations on mechanical surfaces. Chladni was even able to produce a formula that successfully predicted the patterns found on vibrating circular plates. The success of Chladnis research, combined with the popularity of his many public demonstrations, did much to improve the standing of acoustics during his lifetime, and inspired many of the acoustic researchers who later extended his work.
Once Chladnis patterns began to be understood, it was found that they could also be used analytically, to provide information about the conditions that formed them. For example, violin makers have long used Chladni figures to provide feedback as they shape the critical front and back plates of the instruments resonance box. Fine metal filings are sprinkled on the wooden plates, which are then vibrated (at as many as seven different frequencies) to produce a series of patterns. Much of the final shaping of the plates is directed towards ensuring that the patterns on both of them match and are symmetrical. This symmetry is what allows the resonator to move as a single mass and to produces the richest, most beautiful tones.
Chladni patterns are still of scientific interest, although their analytical uses have been mostly replaced by other technologies. Today these figures are more likely to be produced by a virtual imaging program than by an actual vibrating plate.
[...]
Historical Context
The German scientist Ernst Chladni was one of the pioneers of experimental acoustics. His research on different kinds of vibrations served as the basis for the scientific understanding of sound that later emerged in the 19th century.
One of Chladnis inventions was a technique to study the motions of vibrating plates. Starting with a metal plate whose surface had been lightly sprinkled with sand, he found that bowing it produced characteristic patterns that could be related to the physical dimensions of the plate. Chladnis Plates, as they came to be called, provided an early way to visualize the effects of vibrations on mechanical surfaces. Chladni was even able to produce a formula that successfully predicted the patterns found on vibrating circular plates. The success of Chladnis research, combined with the popularity of his many public demonstrations, did much to improve the standing of acoustics during his lifetime, and inspired many of the acoustic researchers who later extended his work.
Once Chladnis patterns began to be understood, it was found that they could also be used analytically, to provide information about the conditions that formed them. For example, violin makers have long used Chladni figures to provide feedback as they shape the critical front and back plates of the instruments resonance box. Fine metal filings are sprinkled on the wooden plates, which are then vibrated (at as many as seven different frequencies) to produce a series of patterns. Much of the final shaping of the plates is directed towards ensuring that the patterns on both of them match and are symmetrical. This symmetry is what allows the resonator to move as a single mass and to produces the richest, most beautiful tones.
Chladni patterns are still of scientific interest, although their analytical uses have been mostly replaced by other technologies. Today these figures are more likely to be produced by a virtual imaging program than by an actual vibrating plate.
[...]