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Related: Culture Forums, Support ForumsI think we're all looking....the background music kinda fits...David Bowie
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I think we're all looking....the background music kinda fits...David Bowie (Original Post)
NowsTheTime
Sep 2023
OP
iwillalwayswonderwhy
(2,731 posts)1. Beautiful
Tugged my emotions.
Conjuay
(3,124 posts)2. well thanks!
Thats dreadful.
highplainsdem
(63,722 posts)3. Article about that performance after 9/11:
https://faroutmagazine.co.uk/david-bowie-simon-and-garfunkel-classic/
The Concert for New York City remains one of the most bizarre charity concerts that the world has ever seen. Formed in quick reaction to the September 11th attacks, the show had everything: The Who in their final American performance with John Entwistle, Adam Sandler doing Operaman, Susan Sarandon getting booed, and quite a few charged verbal attacks on Osama Bin Laden. Of course, you can always leave it David Bowie to keep things classy and slightly off-kilter.
On a night overflowing with righteous emotion and feverish jingoism, Bowie simply took a seat on the stage, plugged in what sounded like a Casio keyboard, and took on a classic tale of searching for meaning and purpose among the sprawling landscapes of the United States. In a slight surprise, Bowie decided to pay tribute to his newly-adopted home country with a rendition of Simon & Garfunkel track America.
Bowie was living in New York during the September 11th attacks, so his stately tribute came from a personal perspective. The oompah of the Suzuki Omnichord that he plays was a complete contrast to the bombastic and anthemic performances that were happening that night. While Billy Joel and Elton John were belting out their tributes to the city, Bowie was at a near whisper, letting Paul Simons words do the heavy lifting.
Bowie still got his chance to get in on the anthems: the second song he played was Heroes, which was dedicated to the fire station that was just around the corner from his residency. The rousing excitement of Heroes obviously got the bigger reaction at the time, and its easy to see why more of the audience were willing to stand up and cheer for Heroes than the dense and poetic America.
-snip-
On a night overflowing with righteous emotion and feverish jingoism, Bowie simply took a seat on the stage, plugged in what sounded like a Casio keyboard, and took on a classic tale of searching for meaning and purpose among the sprawling landscapes of the United States. In a slight surprise, Bowie decided to pay tribute to his newly-adopted home country with a rendition of Simon & Garfunkel track America.
Bowie was living in New York during the September 11th attacks, so his stately tribute came from a personal perspective. The oompah of the Suzuki Omnichord that he plays was a complete contrast to the bombastic and anthemic performances that were happening that night. While Billy Joel and Elton John were belting out their tributes to the city, Bowie was at a near whisper, letting Paul Simons words do the heavy lifting.
Bowie still got his chance to get in on the anthems: the second song he played was Heroes, which was dedicated to the fire station that was just around the corner from his residency. The rousing excitement of Heroes obviously got the bigger reaction at the time, and its easy to see why more of the audience were willing to stand up and cheer for Heroes than the dense and poetic America.
-snip-
NowsTheTime
(1,346 posts)5. Wow! ....thanks for this info...
Part of America has gone off the rails, and we need to get her back on track...
The message of Paul Simon is where we want to be, the background music is an ackward dangerous distortion
Wounded Bear
(64,838 posts)4. A favorite of mine...