(JEWISH GROUP) An idyllic Jewish village, full of life and hope, just hours before its utter annihilation
A remarkable scene in Ady Walter’s film Shttl takes place in a Jewish Ukrainian village outside of Kiev on June 21, 1941, one day before the Nazi invasion, known as Operation Barbarossa.
The Rebbe, played by the always excellent Saul Rubinek is the voice of reason; he is a thoughtful, complex, contradictory and conflicted character. He does not raise his voice, he takes time to consider what to say as he himself struggles to respond to whatever factionalism arises within the community. His sad eyes are expressive. He repeatedly rubs his thumb across his fingers. This is a master class in consummate acting.
The mostly black-and-white Yiddish language film, currently playing in New York at New Plaza Cinemas, spans 24 hours in the shtetl, whose residents remain clueless of the impending doom despite the presence of the Russian Army that has already infiltrated the village. Nonetheless the cracks are surfacing within the community. Intense arguments abound on such issues as workers rights and whether to abandon religion or commit to a devoted life. One female character espousing the need for women’s rights, anticipates the future struggle of feminism in the face of patriarchy.
At its core, the film explores Jewish identity, unity and survival. The Rebbe understands factionalism yet remains implacable as he urges the townspeople to be Talmudic in their judgments, tolerant and compassionate. He describes true Jewishness as the color gray, allowing for and even respecting differences of opinion, purpose and worldview.
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