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Rose McGowan Is Starting A Revolution
After 20 years of acting — and finally realizing she hates it — Rose McGowan has become Hollywood’s feminist whistleblower. To the industry, she says, “Fuck your rules.”The night of June 17, Rose McGowan tweeted a screenshot of casting notes she had been sent for an audition. They read: “Please make sure you read the attached script before coming in so you understand the context of the scenes. Wardrobe Note: Black (or dark) form fitting tank that shows off cleavage (push up bras encouraged). And form fitting leggings or jeans.” With the screenshot, McGowan tweeted: “casting note that came w/script I got today. For real. name of male star rhymes with Madam Panhandler hahahaha I die.”
After tweeting it, she simply went to bed, not thinking much of it. When she awoke, the tweet had gone viral and was starting to be picked up by the media — it was, after all, about a high-profile project, Adam Sandler’s new Netflix movie The Do Over. “I was like, oh dear — if you think that’s bad,” she remembered thinking. “I was mostly flummoxed by everybody thinking that was so horrible; it’s just par for the course. It was more a stupidity offense — bad manners offend me. And then I was thinking, How many people’s hands did that pass through before that was just sent out to every woman coming in?”
McGowan then said in a deadpan tone: “The role, by the way, is for a supermodel who’s obsessed with Adam Sandler.” She fell silent, looked at me pointedly, and started to laugh.
McGowan at Paris Fashion Week Haute early this year. Getty Images
One week after her tweet about the Sandler audition, McGowan screened her short film Dawn — her directing debut, which had premiered at Sundance in 2014 — for the Film Society of Lincoln Center in New York City. “Which is one of the highlights of my career so far. It was a huge honor,” McGowan said. As she left the stage after the Q&A, she checked her phone and saw an email from Innovative Artists, her agency — dropping her. “Like, ‘We no longer want to work with you,’” she said. She felt a wave of “semi-panic — my ankles shook a little.”
After tweeting it, she simply went to bed, not thinking much of it. When she awoke, the tweet had gone viral and was starting to be picked up by the media — it was, after all, about a high-profile project, Adam Sandler’s new Netflix movie The Do Over. “I was like, oh dear — if you think that’s bad,” she remembered thinking. “I was mostly flummoxed by everybody thinking that was so horrible; it’s just par for the course. It was more a stupidity offense — bad manners offend me. And then I was thinking, How many people’s hands did that pass through before that was just sent out to every woman coming in?”
McGowan then said in a deadpan tone: “The role, by the way, is for a supermodel who’s obsessed with Adam Sandler.” She fell silent, looked at me pointedly, and started to laugh.
McGowan at Paris Fashion Week Haute early this year. Getty Images
One week after her tweet about the Sandler audition, McGowan screened her short film Dawn — her directing debut, which had premiered at Sundance in 2014 — for the Film Society of Lincoln Center in New York City. “Which is one of the highlights of my career so far. It was a huge honor,” McGowan said. As she left the stage after the Q&A, she checked her phone and saw an email from Innovative Artists, her agency — dropping her. “Like, ‘We no longer want to work with you,’” she said. She felt a wave of “semi-panic — my ankles shook a little.”
http://www.buzzfeed.com/kateaurthur/rose-mcgowan-is-starting-a-revolution#.moZwG6R51
