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Died, 44 years ago today: Michael Simon; "Papa Boule" in "The Train"
I stumbled across this by accident. The Train has been on TV twice already this week.
Michel Simon
Simon in the trailer for The Train (1964)
Born: François Joseph Simon, 9 April 1895, Geneva, Switzerland
Died: 30 May 1975 (aged 80), Bry-sur-Marne, France
Michel Simon (French: [simɔ̃]; 9 April 1895 – 30 May 1975) was a Swiss actor. He appeared in the notable films La Chienne (1931), Boudu Saved from Drowning (1932), L'Atalante (1934), Port of Shadows (1938), The Head (1959), and The Train (1964). The actor François Simon is his son.
Simon in the trailer for The Train (1964)
Born: François Joseph Simon, 9 April 1895, Geneva, Switzerland
Died: 30 May 1975 (aged 80), Bry-sur-Marne, France
Michel Simon (French: [simɔ̃]; 9 April 1895 – 30 May 1975) was a Swiss actor. He appeared in the notable films La Chienne (1931), Boudu Saved from Drowning (1932), L'Atalante (1934), Port of Shadows (1938), The Head (1959), and The Train (1964). The actor François Simon is his son.
The Train (1965 film)
The Train is a 1964 American war film directed by John Frankenheimer.[1] Its screenplay—written by Franklin Coen, Frank Davis, and Walter Bernstein—is loosely based on the non-fiction book Le front de l'art by Rose Valland, who documented the works of art placed in storage that had been looted by the Germans from museums and private art collections. Arthur Penn was The Train's original director, but was replaced by Frankenheimer three days after filming had begun.
The film stars Burt Lancaster, Paul Scofield and Jeanne Moreau. Set in August 1944, it sets French Resistance-member Paul Labiche (Lancaster) against German Colonel Franz von Waldheim (Scofield), who is attempting to move stolen art masterpieces by train to Germany. Inspiration for the scenes of the train's interception came from the real-life events surrounding train No. 40,044 as it was seized and examined by Lt. Alexandre Rosenberg of the Free French forces outside Paris.
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Production
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During an interview with the History Channel, Frankenheimer revealed:
Frankenheimer remarked on the DVD commentary, "Incidentally, I think this is the last big action picture ever made in black and white, and personally I am so grateful that it is in black and white. I think the black and white adds tremendously to the movie."
Throughout the film, Frankenheimer often juxtaposed the value of art with the value of human life. A brief montage ends the film, intercutting the crates full of paintings with the bloodied bodies of the hostages, before a final shot shows Labiche walking away.
The Train is a 1964 American war film directed by John Frankenheimer.[1] Its screenplay—written by Franklin Coen, Frank Davis, and Walter Bernstein—is loosely based on the non-fiction book Le front de l'art by Rose Valland, who documented the works of art placed in storage that had been looted by the Germans from museums and private art collections. Arthur Penn was The Train's original director, but was replaced by Frankenheimer three days after filming had begun.
The film stars Burt Lancaster, Paul Scofield and Jeanne Moreau. Set in August 1944, it sets French Resistance-member Paul Labiche (Lancaster) against German Colonel Franz von Waldheim (Scofield), who is attempting to move stolen art masterpieces by train to Germany. Inspiration for the scenes of the train's interception came from the real-life events surrounding train No. 40,044 as it was seized and examined by Lt. Alexandre Rosenberg of the Free French forces outside Paris.
....
Production
....
During an interview with the History Channel, Frankenheimer revealed:
• The marshalling yard attacked during the Allied bombing raid sequence was demolished by special arrangement with the French railway, which had been looking to do it but had lacked funding.
• The sequence in which Labiche is shot and wounded by German soldiers while fleeing across a pedestrian bridge was necessitated by a knee injury Lancaster suffered during filming - he stepped in a hole while playing golf, spraining his knee so severely that he could not walk without limping.
• When told that Michel Simon would be unable to complete scenes scripted for his character as a result of prior contractual obligations, Frankenheimer devised the sequence wherein Papa Boule is executed by the Germans. Jacques Marin's character was killed for similar reasons.
• Colonel von Waldheim (Paul Scofield) is told, at the scene of the last major train wreck, by Major Herren (Wolfgang Preiss), "This is a hell of a mess you've got here, Colonel." This line became a metaphor for complicating disasters on Frankenheimer films thereafter.
• Colonel von Waldheim was originally to engage Labiche in a shootout at the film's climax, but after Paul Scofield was cast in the role, at Lancaster's suggestion Frankenheimer re-wrote the scene to provide Scofield a more suitable end—taunting Labiche into killing him.
Frankenheimer remarked on the DVD commentary, "Incidentally, I think this is the last big action picture ever made in black and white, and personally I am so grateful that it is in black and white. I think the black and white adds tremendously to the movie."
Throughout the film, Frankenheimer often juxtaposed the value of art with the value of human life. A brief montage ends the film, intercutting the crates full of paintings with the bloodied bodies of the hostages, before a final shot shows Labiche walking away.
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