The Getaway is the eleventh studio album by American rock band Red Hot Chili Peppers, released through Warner Bros. on June 17, 2016.[4] The band's first studio album since 2011's I'm with You, it was produced by Danger Mouse, who replaced Rick Rubin after 25 years and six albums as the band's producer. This is the band's second and final album with guitarist Josh Klinghoffer before the return of John Frusciante in 2019.

The Getaway made its debut at number one in ten different countries while reaching number two in the band's home country of the United States along with the United Kingdom and Canada. The album received generally favorable reviews.

The album was preceded by the first single "Dark Necessities" on May 5, 2016.[5] "Go Robot" was released as the album's second single on September 8, 2016, peaking at number 12 on the Alternative Songs Chart, while "Sick Love" was released as the third single on December 4, 2016; however, it failed to chart. "Goodbye Angels" was released as the album's fourth and final single on April 4, 2017. The album's title track received radio airplay in the UK despite never being released as an official single.

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There aren’t many records in Springsteen’s catalog that bear much similarity to Nebraska, the most likely counterpart being 1995’s The Ghost of Tom Joad. Yet his love and appreciation for Suicide’s music has remained a constant throughout his career. He’s said they belong in the Rock and Roll Hall of Fame, and he even covered the band’s classic song “Dream Baby Dream” on 2014’s High Hopes. And after Alan Vega died this weekend, Springsteen offered a touching eulogy and reflection on his importance and influence: “The bravery and passion he showed throughout his career was deeply influential to me. I was lucky enough to get to know Alan slightly and he was always a generous and sweet spirit.”

Treblezine

Today, India saw it's most deadly day. Over 4,000 people dead. Hospitals over run and no ventilators to be found at all. It will not get better before it gets much worse. This is a tragedy of phenomenal scale.

India reported its highest daily death toll — 4,187 people — on Saturday, weeks into the world's worst wave of coronavirus cases that's leaving people without lifesaving hospital beds, oxygen and drugs.

In all, nearly 240,000 people in India are confirmed to have died from COVID-19, with reported infections topping 21 million.

...snip

But as bad as the government's official numbers are, they are almost certainly a vast undercount.

NPR

Trial by Fire: Live in Leningrad is the first live album by guitarist Yngwie Malmsteen, released on 12 October 1989 through Polydor Records. The album reached #31 on the Swedish albums chart[3] and #128 on the Billboard 200.[4] A VHS video of the concert was released in 11 July 1991 through PolyGram, and a DVD edition was reissued in Japan on 12 December 2006 through Universal Music.

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Yngwie Johan Malmsteen (/ˈɪŋveɪ ˈmɑːlmstiːn/; born Lars Johan Yngve Lannerbäck; 30 June 1963) is a Swedish guitarist, songwriter, composer, and bandleader. Malmsteen first became known in the 1980s for his neoclassical playing style in heavy metal, and has released 21 studio albums in a career spanning over 40 years. In 2009, Time magazine rated Malmsteen as number 9 among the 11 greatest electric guitar players of all time.

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Texas Flood is the debut studio album by the American blues rock band Stevie Ray Vaughan and Double Trouble, released on June 13, 1983 by Epic Records. The album was named after a cover featured on the album, "Texas Flood", which was first recorded by blues singer Larry Davis in 1958. Produced by the band and recording engineer Richard Mullen, Texas Flood was recorded in the space of three days at Jackson Browne's personal recording studio in Los Angeles. Vaughan wrote six of the album's ten tracks.

Two singles, "Love Struck Baby" and "Pride and Joy", were released from the album. A music video was made for "Love Struck Baby" and received regular rotation on MTV in 1983. Texas Flood was reissued in 1999 with five bonus tracks including an interview segment, studio outtake, and three live tracks recorded on September 23, 1983 at The Palace in Hollywood, California. The album was reissued again in 2013, with two CDs in celebration of the album's 30th anniversary. Disc 1 is the original album with one bonus track, "Tin Pan Alley". Disc 2 is a previously unreleased concert recorded at Ripley's Music Hall in Philadelphia, Pennsylvania on October 20, 1983.

Texas Flood received positive reviews, with critics praising the deep blues sound, and Vaughan’s songwriting, while some criticized the album for straying too far from mainstream rock. A retrospective review by AllMusic awarded it five out of five stars.

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The title track is a modal rendition of the Rodgers and Hammerstein song "My Favorite Things" from The Sound of Music. The melody is heard numerous times throughout, but instead of playing solos over the written chord changes, both Tyner and Coltrane take extended solos over vamps of the two tonic chords, E minor and E major, played in waltz time.[6] In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks on the impact that this song's popularity had on Coltrane's career:

In 1960, Coltrane left Miles [Davis] and formed his own quartet to further explore modal playing, freer directions, and a growing Indian influence. They transformed "My Favorite Things", the cheerful populist song from 'The Sound of Music,' into a hypnotic eastern dervish dance. The recording was a hit and became Coltrane's most requested tune—and a bridge to broad public acceptance.

On March 3, 1998, Rhino Records reissued My Favorite Things as part of its Atlantic 50th Anniversary Jazz Gallery series. Included as bonus tracks were both sides of the "My Favorite Things" single, released as Atlantic 5012 in 1961

In 1998, the album received the Grammy Hall of Fame award.

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According to music historian Denise Sullivan, The Stooges was "disavowed" by most critics; Sullivan nonetheless called it "a rock'n'roll classic". In a contemporary review, Edmund O. Ward of Rolling Stone called it "loud, boring, tasteless, unimaginative and childish", while conceding that he "kind of liked it". Robert Christgau gave it a backhanded compliment in his column for The Village Voice, deeming it "stupid-rock at its best", but did give it a "B+" grade overall.

In retrospect, Will Hodgkinson called The Stooges "charged and brutal garage-rock", and Pitchfork critic Joe Tangari said it was one of the essential forerunners to the punk rock movement of the 1970s. It and the Stooges' next two albums were later deemed "proto-punk landmarks", according to Mojo journalist Manish Agarwal. Daryl Easlea, writing for BBC Music, called the album "rock at its most primordial. ... [the] album is the original punk rock rush on record, a long-held well-kept secret by those in the know." Mark Deming of AllMusic commented, "Part of the fun of The Stooges is, then as now, the band managed the difficult feat of sounding ahead of their time and entirely out of their time, all at once."

In 2003, the album was placed at number 185 on Rolling Stone's list of the "500 Greatest Albums of All Time", maintaining the rating in its 2012 revised list,[20] and dropping to number 488 in its 2020 list. The magazine also included "1969" in their list of the "100 Greatest Guitar Songs of All Time". Robert Dimery, writing in 1001 Albums You Must Hear Before You Die, said that the album was "a collection of brilliant curios, which were neither full-on garage rock, nor out-and-out dirge." In 2005, Q magazine placed "I Wanna Be Your Dog" at number 13 in its list of the "100 Greatest Guitar Tracks"

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