The "Left Behind" Trump voter has nothing left to tell us. [View all]

[JHan]

"Editors are looking for stories on Trump voters who are making do, soldiering on, hanging tough, wishing each other “Merry Christmas” instead of that heathen “Happy Holidays,” and extending the president the benefit of the doubt no matter how many times he does them rotten. Small-town, heartland, blue-collar, bingo-hall, left-behind authentic representatives and descendants of the “Real America” whom hip elitist bi-coastals and technocrat politicians ignore, until their votes bite Democrats in the butt. So where does an enterprising reporter go to bag a focus group of Trump voters in their native habitat? The local diner.

And not just any diner. Definitely not one of those Silver Diners, a chain that offers “Flexitarian” menus, whatever the fancy hell that means, or one of those shiny faux-retro diners in the suburbs catering to Happy Days nostalgia. No, it has to be a diner that still offers a wood-paneled haven steeped in the aroma and kitchen grease of yesteryear, a clientele of rumpled regulars, an old cathode-tube TV in the corner, and voilà . . . “Steven Whitt fires up the coffeepot and flips on the fluorescent sign in the window of the Frosty Freeze, his diner that looks and sounds and smells about the same as it did when it opened a half-century ago. Coffee is 50 cents a cup, refills 25 cents. The pot sits on the counter, and payment is based on the honor system.” So begins a dispatch from Claire Galofaro, an A.P. reporter whose special beat is Trump Country, in a story dated December 28, 2017. The Frosty Freeze is in Elliott County, Kentucky, a region in worsening distress which in 2016, for the first time, broke its string of going Democratic, betting on Trump to be the turnaround guy. Trip Gabriel is The New York Times’s unofficial Trump roving diner correspondent. In “In Iowa, Trump Voters Are Unfazed by Controversies,” Gabriel opened at one diner (“The eight men around a rectangular table, sipping coffee from a hodgepodge of mugs donated by customers, meet daily for breakfasts of French toast, eggs and bacon at Darrell’s diner”), then popped into another, where he quoted a waitress who didn’t vote in the 2016 election because she didn’t like either candidate, not exactly a gem worth extracting. Reuters reporter Tim Reid also drew blanks when he corralled a trio of Trump supporters at a Bob Evans diner in Jackson, Ohio, and asked their opinions on the Russia investigation. “I have never heard anything about it,” imparted Chastity Banks, and neither had the other two Trumpies. At Nana Dee’s Diner, in Mesa, Arizona, CNN interviewed a quartet of Trump supporters over the family-separation policy at the border that was ripping children from their parents. “I think people need to stop constantly bringing up the poor children, the poor children,” complained one old dear. “Quit trying to make us feel teary-eyed for the children.” Yes, that does sound like the heartfelt, cankered voice of a Trumpian.

The journalistic device of converting diner patrons into field studies didn’t originate in the aftermath of Trump’s upset victory. It’s a hoary practice that became a staple in campaign coverage of political caucuses and primaries in Iowa and New Hampshire, where the diner became the go-to spot for getting the ornery lowdown from the red-flannel-plaid set. The deadline laureate of this hunter-gatherer journalism was the Washington Post reporter and columnist David Broder, the “dean” of the Washington press corps, who knocked on doors at dinner hour, interviewed subjects on park benches, and convened impromptu focus groups of diner patrons to get a feel for shifts in sentiment that had eluded correspondents trailing candidates from stop to stop. Broder put in the shoe leather and brought back the goods on his Tocquevillian rounds, but today that approach has become a cliché, a traffic jam, a theatrical genre. The patrons have become self-conscious in their role-playing as Average Americans, trying to finish their cardboard waffles while the politicians go glad-handing from table to table surrounded by a scrum.

t is unusual, however, to keep returning to diners, bars, and American Legion halls to take the temperatures of one sliver of the electorate and gussy up their predictable sound bites with descriptive dabs of short-storyish scene-setting. (The Washington Post’s Alexandra Petri did a hilarious send-up of this woebegone naturalism: “In the shadow of the old flag factory, Craig Slabornik sits whittling away on a rusty nail, his only hobby since the plant shut down.”) It not only privileges the attitudes of one subset of voters but it leaves a lopsided impression of the whole mural. “The media is blinded by its obsession with rural white Trump voters,” Ryan Cooper argued forcibly in a column for The Week last December. “Trump does—or did—have unusual levels of blue-collar support, but the actual bulk of Trump support is the same old professional, petty bourgeois, and ultra-wealthy capitalists who have been voting Republican for generations.” And, Cooper notes, this zoom-in on rural whites has “largely ignored the black and brown working class who never fell for Trump’s nonsense.”"

---------------
Every word of this