That smug Kentucky teen harassing Nathan Phillips will become an iconic photograph of the Trump

[tblue37]

6. Here is an excerpt from an article about them:

https://slate.com/news-and-politics/2011/10/elizabeth-eckford-and-hazel-bryan-what-happened-to-the-two-girls-in-the-most-famous-photo-of-the-civil-rights-era.html

snip

. . . Two years after they’d first met, the pair even appeared on Oprah. Winfrey hadn’t bothered hiding her incredulity, even disdain, that day: Of all people, these two were now friends? But as rude as both felt her to have been, she’d been on to something. The improbable relationship had already begun to unravel.

A student of, and stickler for, history, Elizabeth looked for—and, she thought, spotted—holes in Hazel’s story. How, for instance, could Hazel have undertaken something so cruel so casually, then remembered so little about it afterward? And why, after all these years, did she absolve her parents from any blame? At their joint appearances, Elizabeth could treat Hazel impatiently, peremptorily. Meantime, others in the Little Rock Nine either shunned Hazel or complained of her presence at various commemorations.

But resentment came as well from whites, particularly whites who’d attended Central, particularly those from better families, who’d thought that, even by always looking the other way, they’d done absolutely nothing wrong during those dark days and, truth be told, considered Hazel and her ilk “white trash.” Forty years earlier she’d given them all a black eye; now, she was back, more conspicuous, and embarrassing, than ever. At a reunion she foolishly, or naively, attended, she felt their cold shoulder, and could hear their snickers. None of them had ever apologized for anything they’d done or not done, and, as far as Hazel could tell, they’d been none the worse for their silence.

Ultimately, it grew too much for Hazel. She cut off ties with Elizabeth—for her, Sept. 11, 2011, marked another anniversary: 10 years had passed since they’d last spoken—and stopped making public appearances with her. Her interviews with me—granted only with great reluctance—will, she says, be her last. When I asked the two women to pose together one last time (Elizabeth turned 70 last Tuesday; Hazel will in January) Elizabeth agreed; Hazel would not. Hazel was poised to vote for Obama in 2008; after all, even her own mother did. But so deep was her hurt that she found some excuse not to.

So the famous photograph of 1957 takes on additional meaning: the continuing chasm between the races and the great difficulty, even among people of good will, to pull off real racial reconciliation. But shuttling back and forth between them, I could see that for all their harsh words—over the past decade, they’ve only dug in their heels—they still missed one another. Each, I noticed, teared up at references to the other. Perhaps, when no one is looking—or taking any pictures—they’ll yet come together again. And if they can, maybe, so too, can we.