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In reply to the discussion: One image is worth a thousand words... Have four. [View all]NurseJackie
(42,862 posts)52. How Tippi Hedren made Vietnamese refugees into nail salon magnates
https://www.bbc.com/news/magazine-32544343
When actress Tippi Hedren visited a Vietnamese refugee camp in California 40 years ago, the Hollywood star's long, polished fingernails dazzled the women there.
Hedren flew in her personal manicurist to teach a group of 20 refugees the art of manicures. Those 20 women - mainly the wives of high-ranking military officers and at least one woman who worked in military intelligence - went on to transform the industry, which is now worth about $8bn (£5.2bn) and is dominated by Vietnamese Americans.
"We were trying to find vocations for them," says Hedren, who is perhaps best known for starring in Alfred Hitchcock's The Birds and for running a wildcat sanctuary at her home in Southern California.
"I brought in seamstresses and typists - any way for them to learn something. And they loved my fingernails."
Hedren flew in her personal manicurist to teach a group of 20 refugees the art of manicures. Those 20 women - mainly the wives of high-ranking military officers and at least one woman who worked in military intelligence - went on to transform the industry, which is now worth about $8bn (£5.2bn) and is dominated by Vietnamese Americans.
"We were trying to find vocations for them," says Hedren, who is perhaps best known for starring in Alfred Hitchcock's The Birds and for running a wildcat sanctuary at her home in Southern California.
"I brought in seamstresses and typists - any way for them to learn something. And they loved my fingernails."
Hope Village, the refugee camp, was in Northern California near Sacramento. Aside from flying in her personal manicurist, Hedren recruited a local beauty school to help teach the women. When they graduated, Hedren helped get them jobs all over Southern California.
"I loved these women so much that I wanted something good to happen for them after losing literally everything," Hedren told the BBC from a museum she is building next to her home. The museum includes Hollywood memorabilia, a few photos of the women at Camp Hope and awards she's won from the nail care industry.
"Some of them lost their entire family and everything they had in Vietnam: their homes; their jobs; their friends - everything was gone. They lost even their own country."
The Vietnamese gave the nail salon business a radical makeover. In the 1970s, manicures and pedicures cost around $50 - fine for Hollywood starlets but out of reach for most American women. Today, a basic "mani-pedi" can cost around $20 - largely due to Vietnamese American salons, which typically charge 30-50% less than other salons, according to NAILS Magazine.
Forty years after the fall of Saigon, 51% of nail technicians in the United States - and approximately 80% in California - are of Vietnamese descent. And many are direct descendants of that first class of women inspired by the nails of a Hitchcock blonde.
"I loved these women so much that I wanted something good to happen for them after losing literally everything," Hedren told the BBC from a museum she is building next to her home. The museum includes Hollywood memorabilia, a few photos of the women at Camp Hope and awards she's won from the nail care industry.
"Some of them lost their entire family and everything they had in Vietnam: their homes; their jobs; their friends - everything was gone. They lost even their own country."
The Vietnamese gave the nail salon business a radical makeover. In the 1970s, manicures and pedicures cost around $50 - fine for Hollywood starlets but out of reach for most American women. Today, a basic "mani-pedi" can cost around $20 - largely due to Vietnamese American salons, which typically charge 30-50% less than other salons, according to NAILS Magazine.
Forty years after the fall of Saigon, 51% of nail technicians in the United States - and approximately 80% in California - are of Vietnamese descent. And many are direct descendants of that first class of women inspired by the nails of a Hitchcock blonde.
"Of course I know who Tippi Hedren is! She's the Godmother of the nail industry," says Tam Nguyen, president of Advance Beauty College, which was started by his parents.
"My mother is best friends with Thuan Le, one of Tippi's original students. It was Thuan who encouraged my mother to get into the business."
As Nguyen speaks, dozens of students are learning about cuticle care in a lecture behind him. At 41, Mr Nguyen was born just before the fall of Saigon. In Vietnam, his father was a military officer and his mother a hairdresser. His parents pressured him to become a doctor, which he dutifully did, but then he decided his heart was in the nail business.
"It broke my mother's heart," he says.
"My mother is best friends with Thuan Le, one of Tippi's original students. It was Thuan who encouraged my mother to get into the business."
As Nguyen speaks, dozens of students are learning about cuticle care in a lecture behind him. At 41, Mr Nguyen was born just before the fall of Saigon. In Vietnam, his father was a military officer and his mother a hairdresser. His parents pressured him to become a doctor, which he dutifully did, but then he decided his heart was in the nail business.
"It broke my mother's heart," he says.
But Nguyen's parents soon forgave him and blessed his decision to take over the family business with his sister. They now run two beauty schools and are opening another. All of their courses are taught simultaneously in English and Vietnamese.
The language barrier was the initial reason nails were an attractive option for refugees. They only had to learn a few phrases of English to get by.
Not all of the women remained in the nail salon business, but many did. Thuan Le is still working at a salon in Santa Monica, California. Yan Rist, who worked in military intelligence in Vietnam as a translator and then later as a secretary for State Department officials, stayed in the nail business then moved into tattoos once she settled in Palm Springs.
"Tippi got me a job in Beverly Hills so I could make a lot of money," Yan Rist said. "I worked on Rodeo Drive - but I am a refugee and I didn't dress well at the time. All the rich women coming in - they didn't want to try the newcomer. Every day I went to work it cost me $8 for the parking. Eight dollars for parking! In 1976!"
She says Hedren helped her get a different job closer to home when she quit her job in Beverly Hills.
The language barrier was the initial reason nails were an attractive option for refugees. They only had to learn a few phrases of English to get by.
Not all of the women remained in the nail salon business, but many did. Thuan Le is still working at a salon in Santa Monica, California. Yan Rist, who worked in military intelligence in Vietnam as a translator and then later as a secretary for State Department officials, stayed in the nail business then moved into tattoos once she settled in Palm Springs.
"Tippi got me a job in Beverly Hills so I could make a lot of money," Yan Rist said. "I worked on Rodeo Drive - but I am a refugee and I didn't dress well at the time. All the rich women coming in - they didn't want to try the newcomer. Every day I went to work it cost me $8 for the parking. Eight dollars for parking! In 1976!"
She says Hedren helped her get a different job closer to home when she quit her job in Beverly Hills.
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My daughter is a huge fan of Princess Tatiana, in the Princess and The Frog.
onecaliberal
Jun 2020
#28
OR it's a statement about history & current events, & feeling experiences of the oppressed.
ancianita
Jun 2020
#35
Very profound. I wish we could make racists/conservatives understand what these images
BComplex
Jun 2020
#11
nope, the asians who work there also own those businesses and the customers are diverse
JI7
Jun 2020
#61
So if you have no idea of their source, would you mind saying where you got these from?
ancianita
Jun 2020
#36
If you haven't already, see post#13 - https://www.democraticunderground.com/100213646232#post13
erronis
Jun 2020
#41
The same with the Eddie Murphy SNL skit where he puts on makeup and passes for white.
Hassin Bin Sober
Jun 2020
#49