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Lizzie Poppet

(10,164 posts)
5. You had me there for a sec!
Thu Jan 19, 2012, 04:31 PM
Jan 2012

Good one!

The music (distribution) industry used to perform an invaluable service to artists, the vast majority of whom are not remotely capable of handling the distribution of their (physical) products themselves should they be lucky enough to grow beyond a local fanbase. Even today, that's a benefit...but probably only to the tiny handful of mega-stars whose physical media sales are actually large enough to be a distribution challenge. The rest of us? The tiny levels of "hardcopy" sales can be easily dealt with ourselves, sad to say.

There is even less need of outside assistance with digital distribution. Services like TuneCore can get your music onto pretty much every paid download service for a very low cost. Other sites where you can charge for recordings are often part of a broader music-oriented site on which you'rte going to want to have a presence anyway (Reverb Nation, Bandcamp, etc.).

As has been pointed out, musicians can do pro-quality recording themselves these days, even those who use mostly "analog" instruments. Industry help with the cost of expensive recording studios is less necessary than ever.

It's no secret that pirate downloads hurt the industry end of things more than the artist end...but let's not pretend that the vast majority of artists don't suffer from it, too. Music as a profession has never been harder to pull off, and illegal downloading is a contributor to that. That practice isn't going to stop, and every "cure" I've seen proposed to curb it (like SOPA, etc.) is far, far worse than the disease. But people who steal music should at least be honest with themselves about what they're doing.

Recommendations

0 members have recommended this reply (displayed in chronological order):

they make sure that only the most talented artists get heard Enrique Jan 2012 #1
Lol - explains why 90% of what you hear on the radio sounds the same Hugabear Jan 2012 #3
Like I said about Vh1s "Top 100 songs of the 2000s": HughBeaumont Jan 2012 #7
Ok, what does ProTools have to do with this? Edweird Jan 2012 #20
You had me there for a sec! Lizzie Poppet Jan 2012 #5
I see what you did there Occulus Jan 2012 #18
Doesn't matter what they add. randome Jan 2012 #2
yeah something for nothing rules - btw people who need something down the road msongs Jan 2012 #10
"On the other hand, I download stuff all the time and never pay a dime... GReedDiamond Jan 2012 #26
They used to have the best model for distribution and advertising thelordofhell Jan 2012 #4
One day there was a rabbit and a snake who were both growing old Zorra Jan 2012 #6
99% of the record industry and movie industry practice EXTREME censorship. FarLeftFist Jan 2012 #8
If artists don't think they add value, then they shouldn't sign with them frazzled Jan 2012 #9
They used to work to develop acts and they don't anymore starroute Jan 2012 #11
I'm reminded of Hunter S Thompson's quip.. Fumesucker Jan 2012 #12
+1000 nt Selatius Jan 2012 #27
the only thing i've noticed griffi94 Jan 2012 #13
that's been more or less my take as well.... mike_c Jan 2012 #14
i'm sure this is just me being paranoid griffi94 Jan 2012 #15
Cocaine and sports cars? progressoid Jan 2012 #16
Um, little if anything dogknob Jan 2012 #17
Please rework this post as an OP in General Discussion Occulus Jan 2012 #21
OK. I'll give it a shot. n/t dogknob Jan 2012 #25
Believe it or not... Courtney Love! dogknob Jan 2012 #28
yup, that's what I was guessing.... mike_c Jan 2012 #24
Parasites? How about 'predators'? Edweird Jan 2012 #19
None at all guitar man Jan 2012 #22
Managers A&R and investors ProgressiveEconomist Jan 2012 #23
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