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In reply to the discussion: Bezos issued a Fatwa to his employees: OPT OUT of Melania doc for "political reasons" and LOSE YOUR JOB. [View all]progressoid
(53,206 posts)For some reason, I thought of La Strada, this Fellini film, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldnt put up with her anymore and left her by the side of the road while she was sleeping. Later in the film, he sees this woman hanging out the wash and singing the melody that the girl used to play on the trombone. He asks, Where did you hear that song? And she tells him it was this little girl who had showed up in town and nobody knew where she was from, and later she died. That night, Quinn goes to a bar and gets in a fight. Hes drunk and ends up howling at the stars on the beach. To me, that was the feeling at the end of Bobby McGee. The two-edged sword that freedom is. He was free when he left the girl, but it destroyed him. Thats where the line Freedoms just another name for nothing left to lose came from.
The first time I heard Janis Joplins version was right after she died. Paul Rothchild, her producer, asked me to stop by his office and listen to this thing she had cut. Afterwards, I walked all over L.A., just in tears. I couldnt listen to the song without really breaking up. So when I came back to Nashville, I went into the Combine [Publishing] building late at night, and I played it over and over again, so I could get used to it without breaking up. [Songwriter and keyboardist] Donnie Fritts came over and listened with me, and we wrote a song together that night about Janis, called Epitaph.