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In reply to the discussion: Hi, everybody! Here is your Friday Afternoon Challenge: “Group Shots”! [View all]pinboy3niner
(53,339 posts)67. #2: Correggio - Assumption of the Virgin (in the Cathedral of Parma)
The Assumption of the Virgin is a fresco by the Italian Late Renaissance artist Antonio da Correggio decorating the dome of the Cathedral of Parma, Italy. Correggio signed the contract for the painting on November 3, 1522. It was finished in 1530.
The composition was influenced by Melozzo da Forlì's perspective and includes the decoration of the dome base, which represents the four protector saints of Parma: St. John the Baptist with the lamb, St. Hilary with a yellow mantle, St. Thomas (or Joseph[1]) with an angel carrying the martyrdom palm leaf, and St. Bernard, the sole figure looking upwards.
Below the feet of Jesus, the uncorrupt Virgin in red and blue robes is lofted upward by a vortex of singing or otherwise musical angels. Ringing the base of the dome, between the windows, stand the perplexed Apostles, as if standing around the empty tomb in which they have just placed her. In the group of the blessed can be seen: Adam and Eve, Judith with the head of Holofernes. At the centre of the dome is a foreshortened beardless Jesus descending to meet his mother.
Correggio's Assumption would eventually serve as a catalyst and inspiration for the dramatically-illusionistic, di sotto in su ceiling paintings of the 17th-century Baroque period. In Correggio's work, and in the work of his Baroque heirs, the entire architectural surface is treated as a single pictorial unit of vast proportions and opened up via painting, so that the dome of the church is equated with the vault of heaven. The illusionistic manner in which the figures seem to protrude into the spectators' space was, at the time, an audacious and astounding use of foreshortening, though the technique later became common among Baroque artists who specialized in illusionistic vault decoration.
Among many other works, Correggio's Assumption inspired Carlo Cignani for his fresco Assumption of the Virgin, in the cathedral church of Forlì; and Giovanni Lanfranco's fresco of the dome in the church of Sant'Andrea della Valle in Rome.
http://en.wikipedia.org/wiki/Assumption_of_the_Virgin_(Correggio)
The composition was influenced by Melozzo da Forlì's perspective and includes the decoration of the dome base, which represents the four protector saints of Parma: St. John the Baptist with the lamb, St. Hilary with a yellow mantle, St. Thomas (or Joseph[1]) with an angel carrying the martyrdom palm leaf, and St. Bernard, the sole figure looking upwards.
Below the feet of Jesus, the uncorrupt Virgin in red and blue robes is lofted upward by a vortex of singing or otherwise musical angels. Ringing the base of the dome, between the windows, stand the perplexed Apostles, as if standing around the empty tomb in which they have just placed her. In the group of the blessed can be seen: Adam and Eve, Judith with the head of Holofernes. At the centre of the dome is a foreshortened beardless Jesus descending to meet his mother.
Correggio's Assumption would eventually serve as a catalyst and inspiration for the dramatically-illusionistic, di sotto in su ceiling paintings of the 17th-century Baroque period. In Correggio's work, and in the work of his Baroque heirs, the entire architectural surface is treated as a single pictorial unit of vast proportions and opened up via painting, so that the dome of the church is equated with the vault of heaven. The illusionistic manner in which the figures seem to protrude into the spectators' space was, at the time, an audacious and astounding use of foreshortening, though the technique later became common among Baroque artists who specialized in illusionistic vault decoration.
Among many other works, Correggio's Assumption inspired Carlo Cignani for his fresco Assumption of the Virgin, in the cathedral church of Forlì; and Giovanni Lanfranco's fresco of the dome in the church of Sant'Andrea della Valle in Rome.
http://en.wikipedia.org/wiki/Assumption_of_the_Virgin_(Correggio)
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Hi, everybody! Here is your Friday Afternoon Challenge: “Group Shots”! [View all]
CTyankee
Jan 2013
OP
there is a way you can find the location of the image and thus find out what it is.
CTyankee
Jan 2013
#14
Or, if you cheat, just don't pretend to "guess." Besides being annoying, it is just rude...
CTyankee
Jan 2013
#16
I think people find a picture they like (for whatever reason) and they want to learn more,
CTyankee
Jan 2013
#104
Because I'm catching an early train into Manhattan to see my little "urban baby" I won't be
CTyankee
Jan 2013
#26
tough find! When I first saw it, I thought of LUCA della Robbia, Giovanni's great uncle...
CTyankee
Jan 2013
#61
I LOVED that last read! It was a nice addendum to Jill Burke's masterful analysis (which is
CTyankee
Jan 2013
#79
The Mannerists were reactionary against established Renaissance principles... they
CTyankee
Jan 2013
#86
Nothing like a head on a platter and a dancing woman to announce SALOME! Ta da!
CTyankee
Jan 2013
#40
Probably not so great for the young woman but felippo lippi was a bad monk and never
CTyankee
Jan 2013
#82
no, but the ascension of just about anybody is lost in all the damn legs...doncha love
CTyankee
Jan 2013
#41
I don't either, but sometimes it is so ridiculous you just have to laugh...this is one of those
CTyankee
Jan 2013
#52
He's an interesting guy. Kind of lost favor in the first part of the 20th century but then
CTyankee
Jan 2013
#51
It is a bit odd...I'm not sure what the artist is trying to say...but maybe it is just telling a
CTyankee
Jan 2013
#102
it seems to me that it is no fun to cheat (you just follow the "copy image location" to
CTyankee
Jan 2013
#70
actually I knew how to do that and sometimes I right click to see if simply reading the
grantcart
Jan 2013
#73
I hope to inspire you! What happens is eventually you find an artist whose works are
CTyankee
Jan 2013
#77
Actually, my former father in law wrote music for Paramount Cartoon Studios in New York.
CTyankee
Jan 2013
#99
no, no, just put a few clues together and google them! You might get the right answer!
CTyankee
Jan 2013
#54
The key word was "tabernacle." I would not have thught of that word in describing this
CTyankee
Jan 2013
#81
Thanks! I thought my mentioning Mannerism would have eventually led someone to find
CTyankee
Jan 2013
#76
No, but I can imagine that seeing the original "Death of Sardanapalus" would be
entanglement
Jan 2013
#92
I am convinced that pre-raphaelite art "engages" our brains to such an extent that we
CTyankee
Jan 2013
#89