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In reply to the discussion: Question: What's The Most Politically "Uncomfortable" Song You've Heard In Your Lifetime ??? [View all]Generic Other
(29,080 posts)I am going for that one.
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On 3 October 1992, O'Connor appeared on Saturday Night Live as a musical guest. She sang an a cappella version of Bob Marley's "War", which she intended as a protest over the sexual abuse in the Roman Catholic Church, by changing the lyric "racism" to "child abuse."[26] She then presented a photo of Pope John Paul II to the camera while singing the word "evil", after which she tore the photo into pieces, said "Fight the real enemy", and threw the pieces towards the camera.[51]
Saturday Night Live had no foreknowledge of O'Connor's plan; during the dress rehearsal she held up a photo of a refugee child. NBC Vice President of Late Night Rick Ludwin recalled that when he saw O'Connor's action he "literally jumped out of [his] chair." SNL writer Paula Pell recalled personnel in the control booth discussing the cameras cutting away from the singer.[52] The audience was completely silent, with no booing or applause;[53] executive producer Lorne Michaels recalled that "the air went out the studio". Michaels, who ordered that the applause sign not be used, described the incident as "on a certain level, a betrayal", but also "a serious expression of belief."[52]
Bob Dylan tribute performance
Two weeks after the Saturday Night Live appearance, she was set to perform "I Believe in You" at the Bob Dylan 30th Anniversary tribute concert in Madison Square Garden.[63] She was greeted by a thundering mixture of cheers and jeers. During the booing, Kris Kristofferson told her not to "let the bastards get you down", to which she replied, "I'm not down."[64][65] The noise eventually became so loud that O'Connor saw no point in starting the scheduled song. She called for the keyboard player to stop and the microphone to be turned up, and then screamed over the audience with an improvised, shouted rendition of "War".[66] This time, she sang the song, stopping just after the part in which the lyrics talk about child abuse, emphasising the point of her previous action. She then looked straight to the audience for a second and left the stage. Kristofferson then comforted her, as she cried.[67][68]
http://en.wikipedia.org/wiki/Sin%C3%A9ad_O%27Connor