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In reply to the discussion: The Girl with the Dragon Tattoo. Empowering or exploitive to women? [View all]kenny blankenship
(15,689 posts)There's a world of intriguing/disturbing stuff going on in Let The Right One In that has zip to do with vampires. And it just never made the translation in Let Me In. As a "straight" horror story, it would be dull as the town it's set in. You don't witness anything shocking about "vampires" that you haven't seen a million times before. They have teeth, suck blood, explode in sunlight, climb trees and fly around just like they did in 1931. The American remake tries to make the monster manifestation an interesting part of the story, which just loses the point. The interest in Let The Right One In is generated elsewhere - the abnormal psychology of Oskar, his castration anxiety, the gender confusion (for both viewers and Oskar) of Eli, and their mutual discovery and bonding as two abnormal people who will never fit in in "everyone belongs" Sweden, and therefore how they're fated to be a couple.
This review, http://www.tor.com/blogs/2010/10/let-the-right-one-in-versus-let-me-in , explores things that give the characters and theme of the original film their depth and power to intrigue and disturb, and how the remake prudishly hacks those things out of the story (pun intended), turning an eerily quiet, deeply disturbing romance with swirling gender identity/sexuality issues into an Acme brand American horror movie with some tacked on, "European" moodiness.