Welcome to DU! The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards. Join the community: Create a free account Support DU (and get rid of ads!): Become a Star Member Latest Breaking News Editorials & Other Articles General Discussion The DU Lounge All Forums Issue Forums Culture Forums Alliance Forums Region Forums Support Forums Help & Search
 

Genki Hikari

(1,766 posts)
4. I like her more now than when I was younger
Thu Oct 20, 2022, 02:58 AM
Oct 2022

My tastes evolved enough to appreciate her.

And while I do like this version of "Stony End," I imagine 35 y/o Barbara singing it, and realize how much better she would have sounded. She had so much more confidence by then that she would have called this one in. And in her sleep.

I think what bugs me about her vocal choices in "Stony End" is that she sounds so stiff and unsure sometimes that she falls back on her "Broadway musical" belter roots to muddle through the more difficult passages. That stylistic choice won't work in a rocker arrangement like this, because she doesn't need to reach the rafters here. Rockers have mikes, and amps, too, when live. They can be more dynamic in their vocal performances for that reason.

As an example of how mikes help, I think of Carly Simon in "You're So Vain," when she uses outright whispers in the recording to give the song both more vocal texture and to convey its gossipy and dark theme. That's great use of the instrumental voice that's possible in pop & rock, and recording in general. I think if Barbara had understood the possibilities open to her better, she would have turned in a more memorable recording.

All in all, though, Streisand at 80-85% of her capability is still better than a whole lot of artists can claim.

Recommendations

0 members have recommended this reply (displayed in chronological order):

Latest Discussions»Culture Forums»Music Appreciation»Luckiest Music Generation...»Reply #4