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Economy
In reply to the discussion: Weekend Economists Chart the Bradbury Chronicles, June 8-10,2012 [View all]Demeter
(85,373 posts)2. A novelist for all seasons
http://www.latimes.com/news/obituaries/la-me-ray-bradbury-20120607,0,5622415.story
Benford: "Nostalgia is eternal. And Americans are often displaced from their origins and carry an anxious memory of it, of losing their origins. Bradbury reminds us of what we were and of what we could be," Benford said.
"Like most creative people, he was still a child, His stories tell us: Hold on to your childhood. You don't get another one. I don't think he ever put that away."
Bradbury is survived by his daughters Susan Nixon, Ramona Ostergren, Bettina Karapetian and Alexandra Bradbury; and eight grandchildren. His wife, Marguerite, died in 2003.
...Bradbury frequently attempted to shrug out of the narrow "sci-fi" designation, not because he was put off by it, but rather because he believed it was imprecise.
"I'm not a science fiction writer," he was frequently quoted as saying. "I've written only one book of science fiction "Fahrenheit 451". All the others are fantasy. Fantasies are things that can't happen, and science fiction is about things that can happen."
It wasn't merely semantics.
His stories were multi-layered and ambitious. Bradbury was far less concerned with mechanicshow many tanks of fuel it took to get to Mars and with what rocketthan what happened once the crew landed there, or what they would impose on their environment. "He had this flair for getting to really major issues," said Paul Alkon, emeritus professor of English and American literature at USC.
"He wasn't interested in current doctrines of political correctness or particular forms of society. Not what was wrong in '58 or 2001 but the kinds of issues that are with us every year."
Benford said Bradbury "emphasized rhetoric over reason and struck resonant notes with the bulk of the American readershipbetter than any other science fiction writer. Even [H.G.] Wells ... [Bradbury] anchored everything in relationships. Most science fiction doesn't."
Whether describing a fledgling Earthling colony bullying its way on Mars (" -- And the Moon Be Still as Bright" in 1948) or a virtual-reality baby-sitting tool turned macabre monster ("The Veldt" in 1950), Bradbury wanted his readers to consider the consequences of their actions: "I'm not a futurist. People ask me to predict the future, when all I want to do is prevent it."
"I'm not a science fiction writer," he was frequently quoted as saying. "I've written only one book of science fiction "Fahrenheit 451". All the others are fantasy. Fantasies are things that can't happen, and science fiction is about things that can happen."
It wasn't merely semantics.
His stories were multi-layered and ambitious. Bradbury was far less concerned with mechanicshow many tanks of fuel it took to get to Mars and with what rocketthan what happened once the crew landed there, or what they would impose on their environment. "He had this flair for getting to really major issues," said Paul Alkon, emeritus professor of English and American literature at USC.
"He wasn't interested in current doctrines of political correctness or particular forms of society. Not what was wrong in '58 or 2001 but the kinds of issues that are with us every year."
Benford said Bradbury "emphasized rhetoric over reason and struck resonant notes with the bulk of the American readershipbetter than any other science fiction writer. Even [H.G.] Wells ... [Bradbury] anchored everything in relationships. Most science fiction doesn't."
Whether describing a fledgling Earthling colony bullying its way on Mars (" -- And the Moon Be Still as Bright" in 1948) or a virtual-reality baby-sitting tool turned macabre monster ("The Veldt" in 1950), Bradbury wanted his readers to consider the consequences of their actions: "I'm not a futurist. People ask me to predict the future, when all I want to do is prevent it."
Benford: "Nostalgia is eternal. And Americans are often displaced from their origins and carry an anxious memory of it, of losing their origins. Bradbury reminds us of what we were and of what we could be," Benford said.
"Like most creative people, he was still a child, His stories tell us: Hold on to your childhood. You don't get another one. I don't think he ever put that away."
Bradbury is survived by his daughters Susan Nixon, Ramona Ostergren, Bettina Karapetian and Alexandra Bradbury; and eight grandchildren. His wife, Marguerite, died in 2003.
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