Weekend Economists Waiting for Godot March 7-9, 2014

[Demeter]

14. The Only Certainty Is That He Won’t Show Up: The Right Way to Say ‘Godot’

http://www.nytimes.com/2013/11/12/theater/the-right-way-to-say-godot.html

Maybe Godot never appears because everyone is mispronouncing his name.

More than 60 years after the debut of “Waiting for Godot,” Beckett’s absurdist drama about two vagabonds anticipating a mysterious savior, there is much disagreement among directors, actors, critics and scholars on how the name of that elusive title figure should be spoken. “GOD-oh,” with the accent on the first syllable, is how “it should be pronounced,” said Sean Mathias, the British director of the latest a Broadway revival of “Waiting for Godot,” opening later this month at the Cort Theater. “It has to be, really,” he said. “There’s no other way to do it.” But the theater critic John Lahr said that rendering “is too obvious” for the playwright Samuel Beckett, with its suggestion of the Almighty. “Beckett is more elusive and poetic, and he wouldn’t hit it on the head like that,” said Mr. Lahr, a longtime contributor to The New Yorker, who instead advocates for “god-OH,” with the accent on the second syllable.

Georges Borchardt, a literary agent who represented Beckett and continues to represent his literary estate, suggested even a third pronunciation was possible. “I myself have always pronounced it the French way, with equal emphasis on both syllables,” Mr. Borchardt said in an email. Mr. Borchardt said he had consulted with Edward Beckett, a nephew of the author, who told him that his uncle pronounced it the same way, and that Edward Beckett could not see “why there should be a correct or incorrect way of pronouncing Godot...As the agents for the estate,” Mr. Borchardt continued, “we do not insist on any particular pronunciation.”

There seems to be nothing to be done to reconcile these competing camps, and productions of “Godot” do what they will. In a video recording, Peter Hall, who directed the first British production, in 1955, pronounces it GOD-oh. An American television production from 1961 starring Burgess Meredith and Zero Mostel uses “god-OH.” Discussing his role in the 2009 Broadway production, Nathan Lane says “GOD-oh.”

“I don’t think there is a mathematical solution to this problem,” said Mark Nixon, the director of the Beckett International Foundation at the University of Reading in England. Dr. Nixon said he believed the name was correctly pronounced with a stressed first syllable. But, he said, “I don’t feel strongly in the sense that I would correct somebody who said it differently.” Still, he did not dismiss the Godot question as a trivial issue. “Nothing’s trivial when it comes to Beckett,” he said...


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