Weekend Economists Remember Wars that Didn't Have to Be November 6-8, 2015

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41. Musical interlude: Kurt Weill's "Johnny Johnson"

https://en.wikipedia.org/wiki/Johnny_Johnson_%28musical%29

Johnny Johnson is a musical with a book and lyrics by Paul Green and music by Kurt Weill.

Based on Jaroslav Hašek's satiric novel The Good Soldier Švejk, the musical focuses on a naive and idealistic young man who, despite his pacifist views, leaves his sweetheart Minny Belle Tompkins to fight in Europe in World War I. He first tries to stop the war after meeting a young German sniper of the same name, who believes that the soldiers must unite. However, the commanders of the allied forces intend to use the discontent with the war among the German soldiers as a perfect time to advance in the war. Johnny then manages to bring the skirmish to a temporary halt by incapacitating a meeting of the generals with laughing gas, but once they recover they promptly reinstate the war, resulting in hundreds of thousands of fatalities. Meanwhile Johnny finds himself committed to an asylum for ten years. He returns home to discover Minny Belle has married a capitalist, and he settles down as a toymaker who will create anything except tin soldiers, his personal gesture of peace in an increasingly warlike society.

Its title was inspired by the fact the name appeared on United States casualty rolls more often than any other.[1]

The play was written and composed by Green and Weill during the summer of 1936 in a rented old house located in Nichols, Connecticut near the summer rehearsal headquarters of the Group Theatre at Pine Brook Country Club.[2][3]

Playlist here:

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