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Economy
In reply to the discussion: The Weekend Economists travel the Yellow Brick Road, November 14-15. [View all]antigop
(12,778 posts)42. Wicked: The Untold Story of the Wizard of Oz
https://en.wikipedia.org/wiki/Wicked_%28musical%29
Tony Awards 2004:
The Wizard and I from "Wicked":
"One Short Day in the Emerald City" from "Wicked":
Wicked: The Untold Story of the Witches of Oz is a musical with music and lyrics by Stephen Schwartz and book by Winnie Holzman. It is based on the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, an alternative telling of the witches from the 1939 film The Wizard of Oz and L. Frank Baum's classic 1900 story The Wonderful Wizard of Oz. The musical is told from the perspective of the witches of the Land of Oz; its plot begins before and continues after Dorothy's arrival in Oz from Kansas and includes several references to the 1939 film and Baum's novel. Wicked tells the story of two unlikely friends, Elphaba (the Wicked Witch of the West) and Glinda, who struggle through opposing personalities and viewpoints, rivalry over the same love-interest, reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace.
...
Composer and lyricist Stephen Schwartz discovered writer Gregory Maguire's 1995 novel Wicked: The Life and Times of the Wicked Witch of the West while on vacation and saw its potential for a dramatic adaptation.[7] Maguire, however, had released the rights to Universal, who had planned to develop a live-action feature film.[8] In 1998, Schwartz persuaded Maguire to release the rights to a stage production[9] while also making what Schwartz called an "impassioned plea" to Universal producer Marc Platt to realise Schwartz's own intended adaptation. Persuaded, Platt signed on as joint producer of the project with Universal and David Stone.[8]
The novel, described as a political, social, and ethical commentary on the nature of good and evil, takes place in the Land of Oz, in the years leading to Dorothy's arrival. The story centers on Elphaba, the misunderstood, smart, and fiery girl of emerald-green skin who grows up to become the notorious Wicked Witch of the West and Galinda, the beautiful, blonde, popular girl who grows up to become Glinda the Good Witch of the South. The story is divided into five different sections based on the plot location and presents events, characters and situations from L. Frank Baum's The Wonderful Wizard of Oz (1900) and its 1939 film adaptation in new ways. It is designed to set the reader thinking about what it really is to be 'Wicked', and whether good intentions with bad results are the same as bad intentions with bad results. Schwartz considered how best to condense the novel's dense and complicated plot into a sensible script.[9] To this end, he collaborated with Emmy Awardwinning writer Winnie Holzman to develop the outline of the plot over the course of a year[10] while meeting with producer Marc Platt to refine the structural outline of the show, spinning an original stage piece rather than creating a strict adaptation of Maguire's work.[9]
While the draft followed Maguire's idea of retelling the story of the 1939 film from the perspective of its main villain, the story line of the stage adaptation "goes far afield" from the novel. As Holzman observed in an interview with Playbill, "It was [Maguire's] brilliant idea to take this hated figure and tell things from her point of view, and to have the two witches be roommates in college, but the way in which their friendship develops and really the whole plot is different onstage."[11] Schwartz justified the deviation, saying "Primarily we were interested in the relationship between Galinda who becomes Glinda and Elphaba...the friendship of these two women and how their characters lead them to completely different destinies."[12] In addition to this change in focus, other major plot modifications include Fiyero's appearance as the scarecrow, Elphaba's survival at the end, Nessarose using a wheelchair instead of being born without arms, Boq having a continuing love interest for Glinda - and eventually becoming the Tin Woodman instead of Nick Chopper, the complete cutting of Elphaba's years in the Vinkus, and Doctor Dillamond not being murdered.[13]
...
Composer and lyricist Stephen Schwartz discovered writer Gregory Maguire's 1995 novel Wicked: The Life and Times of the Wicked Witch of the West while on vacation and saw its potential for a dramatic adaptation.[7] Maguire, however, had released the rights to Universal, who had planned to develop a live-action feature film.[8] In 1998, Schwartz persuaded Maguire to release the rights to a stage production[9] while also making what Schwartz called an "impassioned plea" to Universal producer Marc Platt to realise Schwartz's own intended adaptation. Persuaded, Platt signed on as joint producer of the project with Universal and David Stone.[8]
The novel, described as a political, social, and ethical commentary on the nature of good and evil, takes place in the Land of Oz, in the years leading to Dorothy's arrival. The story centers on Elphaba, the misunderstood, smart, and fiery girl of emerald-green skin who grows up to become the notorious Wicked Witch of the West and Galinda, the beautiful, blonde, popular girl who grows up to become Glinda the Good Witch of the South. The story is divided into five different sections based on the plot location and presents events, characters and situations from L. Frank Baum's The Wonderful Wizard of Oz (1900) and its 1939 film adaptation in new ways. It is designed to set the reader thinking about what it really is to be 'Wicked', and whether good intentions with bad results are the same as bad intentions with bad results. Schwartz considered how best to condense the novel's dense and complicated plot into a sensible script.[9] To this end, he collaborated with Emmy Awardwinning writer Winnie Holzman to develop the outline of the plot over the course of a year[10] while meeting with producer Marc Platt to refine the structural outline of the show, spinning an original stage piece rather than creating a strict adaptation of Maguire's work.[9]
While the draft followed Maguire's idea of retelling the story of the 1939 film from the perspective of its main villain, the story line of the stage adaptation "goes far afield" from the novel. As Holzman observed in an interview with Playbill, "It was [Maguire's] brilliant idea to take this hated figure and tell things from her point of view, and to have the two witches be roommates in college, but the way in which their friendship develops and really the whole plot is different onstage."[11] Schwartz justified the deviation, saying "Primarily we were interested in the relationship between Galinda who becomes Glinda and Elphaba...the friendship of these two women and how their characters lead them to completely different destinies."[12] In addition to this change in focus, other major plot modifications include Fiyero's appearance as the scarecrow, Elphaba's survival at the end, Nessarose using a wheelchair instead of being born without arms, Boq having a continuing love interest for Glinda - and eventually becoming the Tin Woodman instead of Nick Chopper, the complete cutting of Elphaba's years in the Vinkus, and Doctor Dillamond not being murdered.[13]
Tony Awards 2004:
The Wizard and I from "Wicked":
"One Short Day in the Emerald City" from "Wicked":
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Well, Matt, if this is what you do extemporaneously, I'll give more notice next time!
Demeter
Nov 2015
#3
probably none of it...they will focus on the Paris attacks and foreign policy. nt
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The Illusions of the Leaders of Large Health Organizations, as Illustrated by Medtronic’s Founder
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