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Response to Blue_playwright (Reply #7)

Tue Jan 26, 2021, 12:04 PM

8. My pleasure.

I already see things in my post I wish I had qualified. For example, an argument can be made that Nurse Ratched isn't really the antagonist in "Cuckoo's Nest"; that it's actually McMurphy, and that Chief Bromden is the protagonist. I've usually leaned towards the view that McMurphy is a protagonist who "refuses to change" and dies at the end. Some teachers will tell you that "death is not a change" (a blunt way of warning screenwriters not to kill their protagonists) but I don't know if that rule applies in the case of a movie about a protagonist who "refuses to change". (i.e. "Mishima" ends with a suicide--but I digress.)

It's a lot of fun to think about these things.

But I always hesitate to make concrete assertions about such matters!

Good luck with your writing. Writing for stage must be fascinating. I'm guessing you can really focus on casting a spell over the audience because you can spend more time in one place, and are not constantly interrupted by scene changes. Just watching characters interact over a longer period of time can be so interesting.

(It's a movie, but I'm thinking of how thrilling something like "My Dinner with Andre" was in spite of it just being two people talking for more than ninety minutes. I also recall being riveted by the film of the play "Carnage", and I like Mamet's early plays.)

Would love to know more about stage writing.




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Tetrachloride Jan 26 OP
AmyStrange Jan 26 #1
Mike 03 Jan 26 #2
SheltieLover Jan 26 #5
Mike 03 Jan 26 #9
SheltieLover Jan 26 #10
AmyStrange Jan 26 #12
SheltieLover Jan 26 #13
AmyStrange Jan 26 #14
SheltieLover Jan 26 #15
AmyStrange Jan 26 #16
SheltieLover Jan 26 #17
AmyStrange Jan 26 #18
Blue_playwright Jan 26 #7
LineLineLineReply My pleasure.
Mike 03 Jan 26 #8
AmyStrange Jan 26 #11
LazySusanNot Jan 26 #3
Mike 03 Jan 26 #4
in2herbs Jan 26 #6
Trueblue Texan Jan 28 #19
mainer Jan 28 #20
Tetrachloride Jan 31 #21
AnnieG Feb 8 #22
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