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In reply to the discussion: the relationship between the delegitimization of structural identity [View all]eridani
(51,907 posts)15. Outing OPs--Textual objectivism and subcultural narrative
http://www.elsewhere.org/pomo/
In the works of Stone, a predominant concept is the concept of textual culture. Lyotard promotes the use of subcultural narrative to read sexual identity. In a sense, the fatal flaw, and some would say the rubicon, of subdialectic conceptualist theory which is a central theme of Stones Heaven and Earth emerges again in JFK, although in a more neostructuralist sense.
If one examines preconstructive discourse, one is faced with a choice: either reject cultural feminism or conclude that reality must come from the collective unconscious. Hamburger[1] holds that we have to choose between preconstructive discourse and semioticist theory. But subdialectic conceptualist theory states that the task of the observer is social comment.
If postcultural textual theory holds, the works of Stone are not postmodern. However, Reicher[2] implies that we have to choose between subcultural narrative and Lacanist obscurity.
The premise of preconstructive discourse states that art is used to entrench hierarchy. Thus, a number of theories concerning the paradigm of dialectic class exist.
The main theme of Prinns[3] analysis of subcultural narrative is not, in fact, depatriarchialism, but postdepatriarchialism. But the example of subdialectic conceptualist theory intrinsic to Stones Natural Born Killers is also evident in Platoon.
In the works of Stone, a predominant concept is the concept of textual culture. Lyotard promotes the use of subcultural narrative to read sexual identity. In a sense, the fatal flaw, and some would say the rubicon, of subdialectic conceptualist theory which is a central theme of Stones Heaven and Earth emerges again in JFK, although in a more neostructuralist sense.
If one examines preconstructive discourse, one is faced with a choice: either reject cultural feminism or conclude that reality must come from the collective unconscious. Hamburger[1] holds that we have to choose between preconstructive discourse and semioticist theory. But subdialectic conceptualist theory states that the task of the observer is social comment.
If postcultural textual theory holds, the works of Stone are not postmodern. However, Reicher[2] implies that we have to choose between subcultural narrative and Lacanist obscurity.
The premise of preconstructive discourse states that art is used to entrench hierarchy. Thus, a number of theories concerning the paradigm of dialectic class exist.
The main theme of Prinns[3] analysis of subcultural narrative is not, in fact, depatriarchialism, but postdepatriarchialism. But the example of subdialectic conceptualist theory intrinsic to Stones Natural Born Killers is also evident in Platoon.
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the relationship between the delegitimization of structural identity [View all]
arely staircase
Mar 2013
OP
To posit such an ontological dichotomy as a phenomenological "real" may advance
petronius
Mar 2013
#8